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Precision in Motion

Man's World

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August 2024

How Alain Zobrist and Omega Time the Olympics

- Sharan Sanil

Precision in Motion

We catch up with the Swiss Timing CEO to explore the cutting-edge technology behind capturing the stunning photo finishes at Paris 2024

As the Paris 2024 Olympics came to a close, the world witnessed some of the most thrilling finishes in recent history, with races often decided by mere thousandths of a second. A standout moment was the men's 100m final, where USA's Noah Lyles secured victory by just 0.005 seconds, narrowly beating Jamaica's Kishane Thompson. The crowd at Stade de France held its breath as they awaited the official result, which confirmed Lyles' win in a dramatic photo finish (pictured left).

Omega's advanced Scan'O'Vision ULTIMATE camera played a crucial role in determining the outcome. Capable of capturing up to 40,000 frames per second, the camera provided a detailed line-scan image that showed the exact moment each athlete's torso crossed the finish line. This cutting-edge technology ensured that the race was judged with absolute precision, highlighting the importance of accurate timing in determining Olympic champions.

imageAll of this is a responsibility that falls on the shoulders of Alain Zobrist and his team at Swiss Timing for Omega. Zobrist has been in the time game for a while; born and raised in Switzerland, with a solid background in economics and marketing, he spent over 15 years climbing the ranks at Omega before stepping into his current role in late 2014. His journey included a stint as Head of Global Sports Marketing, where he honed his skills and developed a deep understanding of what it takes to deliver precision on the world's biggest stage.

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FLERE HISTORIER FRA Man's World

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time to read

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time to read

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time to read

14 mins

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time to read

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Exhibition Art

DAG’s recently-concluded exhibition titled Destination India: Foreign Artists in India, 1857-1947, organised in collaboration with Kolkata’s Alipore Museum, offered a rare glimpse into the multifaceted artistic interpretations of India through the eyes of nearly forty British and other European artists working with oil and watercolour who visited the country in the late nineteenth and early twentieth centuries—a period when images were being transmitted as picture postcards and photography had become the dominant medium.

time to read

1 min

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Rado When Icons Meet Trends

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The Second Coming

Some nameplates belong in museums. And we're glad that Ferrari believed that the Testarossa still belongs on the road.

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1 min

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From the Maruti Suzuki e Vitara and Hyundai Verna to the Ferrari Amalfi and Mahindra BE 6 Batman Edition, March swings from meaningful progress to expensive expressions

time to read

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