THE BOSS
August Man SG
|Issue 220 (December 2025)
JEREMY ALLEN WHITE HAD NEVER PLAYED THE GUITAR. BUT HE HAD TO PLAY ROCK ICON BRUCE SPRINGSTEEN. THE ACTOR TAKES US THROUGH THE PROCESS OF BECOMING THE BOSS IN HIS FIRST EVER MAINSTREAM LEAD ROLE.
JEREMY ALLEN WHITE IS HAVING A MOMENT.
I first watched him in the television series Shameless, which ran for 10 seasons from 2011 to 2021. White played the highly intelligent juvenile delinquent Lip Gallagher. The show was a comedy, yet also tragic and relatable in many ways. It followed the ups and downs of the Gallagher family, and the troubles each member of the clan got into, including Lip.
Then, White disappeared. There were occasional cameos on television and supporting roles in films. But nothing really stuck—until The Bear. White plays the lead role, an award-winning New York chef de cuisine who returns home to take over his late brother's sandwich shop. It boasted razor-sharp writing, portrayed the kitchen as a cauldron of stress and anxiety, and had incredibly relatable characters. It also catapulted White to mainstream success. Everyone wanted a piece of him, including Calvin Klein.
The actor starred in a sensuous commercial for the brand, dressed only in the iconic white trunks. The film showed off his lean physique and the rooftops of New York City, although I doubt anyone paid attention to the latter.
Now, White is poised to become an even bigger household name in Springsteen: Deliver Me from Nowhere, a biopic of the legendary American musician. He plays the eponymous role, the first time he’s taken on a lead role of such magnitude. We spoke to White about the film, his preparations for the film, and how he had to steel himself mentally to play someone so well-loved by the American public.
How did you get involved with this film and what was your initial reaction when you first learned that the filmmakers wanted you to play Bruce Springsteen?
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FLERE HISTORIER FRA August Man SG
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FROM LONDON'S KALEIDOSCOPIC HUM TO THE SUN-BLEACHED SANCTUARIES OF IBIZA AND BALI, BRITISH DJ-PRODUCER PIPPI CIEZ HAS TURNED RHYTHM INTO RITUAL. A DISCIPLE OF SOUL AND SOUND, HE SPEAKS OF DRUMS AS DIVINE, RISK AS FUNDAMENTAL, AND MUSIC AS THE OLDEST PRAYER HE KNOWS.
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Issue 220 (December 2025)
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MOST OF US KNOW Kit Harington as the King in the North. It was so much so that I almost called him Jon during our interview.
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Issue 220 (December 2025)
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Magic happens when Olivier Rousteing and Dr Emma Walker of Johnnie Walker come together. The trick reveals itself in The Couture Blend, the second expression from their collaboration.
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Issue 220 (December 2025)
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THEY KEEP THE CITY'S PULSE ALIVE LONG AFTER THE SUN SLIPS UNDER THE HORIZON - THE BARTENDERS, GUARDIANS, HOSTS, AND DREAM-WEAVERS WHO TURN EVERY NIGHT OUT INTO A STORY WORTH RETELLING. IN DECEMBER'S FINAL FLARE, WE HONOUR THE PEOPLE WHO MAKE SINGAPORE'S NOCTURNAL MAGIC POSSIBLE.
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HARMONY OF THOUGHT AND WORD AND DEED
Rado's partnership with Korean superstar Ji Chang-wook meets all the requirements of brand ambassadorship: glitz, glamour and congruity.
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Issue 220 (December 2025)
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FROM THE TRENCHES OF THE GOOD FIGHT
LOCAL INTERIOR BUILD FIRM NGEE KOON'S FOUNDER OLIVER GOH REMINDS US THAT LIFE IS ABOUT THE GOOD WORK THAT WE DO, AND CHERISHING ALL THE THINGS THAT MONEY CAN'T BUY.
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As the House of Tan Yeok Nee begins its next chapter as a cultural and community landmark, descendant and artist-in-residence Tan Ngiap Heng traces the threads that bind past to present.
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THE WATCH WITH THE GOLDEN MANDATE
This is equal parts watch article and written adulation of high art. It is my honour to write about the masterpiece that is the Montblanc Star Legacy Suspended Exo Tourbillon Château de Versailles Limited Edition.
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One of Patek Philippe's oldest models has an oft-repeated myth, and a new look befitting its age.
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Issue 220 (December 2025)
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