ART AND SOUL

An eye for quality, comfort and timelessness played a big part in this bungalow's modernand serene transformation

- Text Debbie Harrison Photography Helen Bankers

They say not to bring your work home with you, but in Tate Winter's case, it's really worked to her advantage. Using skills honed from her time as a home stager, she's created a sense of warmth and calm throughout the central Auckland home she shares with flatmate James and her much-loved art collection. In her current position as an upholstery manager for Danske Mobler, Tate's learnt to recognise quality and knows the value of thoughtful design, so it's no surprise her home is injected with timeless, Scandinavian-influenced style.

When Tate first walked into the 1920s bungalow in April 2022, she felt instantly that this was home. “I loved how open and light-filled it was. It had a modern feel, but still felt warm and homely,” she says.

Built in the 1920s and extended about eight years ago, the kitchen and bathroom had already been given a modern makeover. Tate invested in refreshing and future-proofing the house: painting inside and out, recarpeting, replacing the roof, and sanding and restaining the floors.

The dining table is by Scandi designer brand Ethnicraft from Cuchi, chairs from Danske Mobler and black frame by Kiwi artist Tom Mackie. The shelf in the study nook is the perfect display case for some of Tate's favourite design books and plant. BELOW The hydrangea artwork is by Poppie Pack.

“Changing the floor colour was a game-changer,” she says. “I took them from being a traditional rich red to a lighter, matte oak finish. It really helped lift the whole space and gave it a much more contemporary feel.”

Original features like the lounge and bedroom window seats – each topped with charming stained-glass windows – have been kept as a nod to the house’s history.