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GROWING A LEGACY

Veranda

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May - June 2025

At Highgrove House, King Charles III has planted the seeds for a future of sustainability and original artistry. But how to preserve the essence of the garden itself? English home furnishings firm Sanderson immortalizes his vision in a new collection of fabrics and wallpapers, created in close collaboration with His Royal Highness's estate.

- STEELE THOMAS MARCOUX

GROWING A LEGACY

"To design a garden, you have to be able to see into the future," observes Claire Vallis, Sanderson Design Group design director. Her comment applies to all gardeners, of course, but she's talking about one in particular: His Majesty King Charles III, whose gardens at Highgrove House have been the subject of her close study and intimate reflection for the past year.

During that time, Vallis and her team of artists have spent hundreds of hours immersed in the gardens, listening to the hum of pollinators and breathing in intoxicating scents while painting and drawing the flowers, plants, and structures as research for Highgrove by Sanderson, an expansive new fabric and wallpaper collection by the English home furnishings firm created in collaboration with Highgrove.

imageThe collection, which includes toiles, damasks, tapestries, embroidery, block prints, jacquards, and outdoor fabrics as well as printed and handpainted wallpapers, is a salute to the King's singular vision for preservation, conservation, and sustainability at his Gloucestershire home.

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ABOUT A YEAR AGO, design brand strategist Sean Yashar wrote an essay for his Sub-stack newsletter lamenting the disappearance of evening photography—images of atmospherically lit rooms—from design magazines like this one. There are several explanations for this, including a pivot away from the more glamorous, even disco-influenced aesthetic of the 1970s and '80s to a flatter, shadowless decorative point of view and, of course, the transformational evolution from analog to digital technology. Regardless of design preferences or technological advancements, our lives at home unfold across a wide range of light conditions, from dusk to dawn, with many of our domestic moments occurring after dark. It seemed a lost opportunity not to tell the stories of those “narrative-rich hours,” as Yashar called them, in VERANDA.

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time to read

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time to read

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time to read

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