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Why We're OBSESSED With Being OBSESSED

Harper's BAZAAR - US

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October 2025

Susan Orlean UNPACKS the PLEASURE of the PURSUIT

MAYBE it's the sold-out Row flats. Maybe it's tropical fish. Maybe it's antique books or Finnish rugs or toothpaste from around the world. (That was mine for a while.) When you are passionate about something, it becomes luminous, a bright light that guides you day-to-day in pursuit.

The object of your affection might seem unimportant or trifling to a disinterested observer, but once you fall for something, it no longer matters what its objective value is. It becomes the center that holds, the order in the chaos. It sifts the fine and endless shower of input—the limitless flood of everyday life—and gives it shape. Obsession sounds dangerous, like quicksand, but in the right amount it's enriching. It provides us with a kind of engine, with inspiration, with a focus that is pure joy.

To be honest, I used to shy away from obsession. I found it uncomfortable to define myself too closely by any interest or hobby or collectible item; I dreaded that inevitable moment when you would transition from being, say, a person who appreciates Jean Paul Gaultier clothing to being a Jean Paul Gaultier Person. At the same time, I sought out people who did exactly that. I was fascinated by orchid collectors, gospel fans, surfing addicts, tiger hoarders. I wanted to understand what drew them so powerfully to their drug of choice. What allowed them to dive so deep? What did that identity provide? So often, the people I wrote about had circled their lives around a passion. It seemed to answer questions that are usually so hard to answer: how to spend time, how to spend money, how to make friends, where to travel, and what to do once they got there. Their devotion made sense out of the often-confusing experience of being alive.

FLERE HISTORIER FRA Harper's BAZAAR - US

Harper's BAZAAR - US

Wildest DREAMS

There's never been a better time to go on SAFARI, with CAMPS that prioritize CONSERVATION delivering ONCE-in-a-LIFETIME experiences

time to read

2 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

On PERFORMANCE

I met Cynthia Erivo over 10 years ago, when she first moved from London to New York and ended up becoming my neighbor. I always knew she would go on to do amazing things, and I can think of no one more fitting to celebrate on the cover of our Performance issue, as audiences gear up to take her in as Elphaba once more in Wicked: For Good. I have always been struck by the way Erivo can come off as both delicate and larger than life—or, as Jazmine Hughes writes in her cover story, “able to put both her strength and her softness on display.” This manifests in the photos too, shot by Cass Bird and styled by Yashua Simmons, portraying a performer at the peak of her powers, glamorous and self-assured and vulnerable all at once.

time to read

2 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

Holding THE STAGE

DEREK C. BLASBERG talks to comedian and writer JULIO TORRES and playwright JORDAN TANNAHILL about the POWER of WORDS, how PERFORMANCE can be an act of DEFIANCE, and the importance of telling QUEER stories in REPRESSIVE (and REGRESSIVE) times

time to read

6 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

LIGHT Show

LASER TREATMENTS have gotten so ADVANCED, there's now a LIGHT-BASED option for every skin GOAL and TONE. Ahead, the EXPERT GUIDE to the latest and greatest TECHNOLOGIES for RADIANT, SMOOTH skin-NO NEEDLES or scalpels required.

time to read

5 mins

November 2025

Harper's BAZAAR - US

WHY DON'T YOU...?

As we celebrate the POWER of PERFORMANCE this month, LYNETTE NYLANDER implores you to CHANNEL the GREAT DIVAS, past and present, in your daily ROUTINE. As SHAKESPEARE wrote, all the WORLD'S a STAGE!

time to read

2 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

Who Gets to Be PREPPY?

The style once RESERVED for the PRIVILEGED few is now UBIQUITOUS, open to broad INTERPRETATION, and ACCESSIBLE to ALL

time to read

6 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

CYNTHIA ERIVO Is Unstoppable

CYNTHIA ERIVO has always been a ONCE-IN-ALIFETIME PERFORMER with a VOICE for the AGES. Now, she's a STAR for them too.

time to read

10 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

Leaps & BOUNDS

MISTY COPELAND transformed the DANCE WORLD during her 25 years with the American Ballet Theatre. Now she's RETIRING from the only company she's ever known-but she's still RAISING the BAR.

time to read

10 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

DWANA SMALLWOOD, NOVEMBER 2000

“A GREAT DANCER uses movement as a poet uses words. The grandest and slightest gestures—a head thrown back, a leg held high—illuminate the spirit and the heart.” That was how writer Elizabeth Kaye described the art of dance in an essay that accompanied a portfolio titled “Fast Company” in the November 2000 issue of Harper’s Bazaar. Photographed by Patrick Demarchelier, the story showcased six performers who were making their mark on the dance world at the turn of the 21st century—among them, Alvin Ailey American Dance Theater principal Dwana Smallwood.

time to read

1 min

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

SHABOOZEY

Introducing This Issue's MUSIC DIRECTOR

time to read

1 min

November 2025

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