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When LAURA BROWN and KRISTINA O'NEILL were FIRED from their top-of-the-masthead FASHION jobs, they could have WALLOWED. They could have stayed QUIET. Instead, they OWNED IT. And now, they've WRITTEN the BOOK on it.
Harper's BAZAAR - US
|October 2025
There was a chunk of time in the last decade when ambitious women were encouraged to lean in: to work later and harder and be better than their male counterparts—to do whatever they needed to do to get that seat at the table, regardless of whatever else might be going on in their life, including raising kids.
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Laura Brown and Kristina O'Neill ascended the corporate ladder right on schedule. They had each worked at Harper's Bazaar for more than a decade and gone on to land the final boss roles as editors in chief of InStyle and The Wall Street Journal's style supplement, WSJ Magazine, respectively. There they were, in the front row at every fashion show, hosting extravagant celebrity-filled events, wielding their influence across every platform. And then they got fired. And then... they decided to write about it.
Editors to their cores, they knew they had a juicy—and important—story on their hands. In their new book, All the Cool Girls Get Fired, which is out this month, Brown and O'Neill provide a much-needed coda to all of the “lean in” exhortations. Featuring revealing essays from wildly successful women who have also been fired, sometimes in spectacularly public ways, including Oprah Winfrey and Katie Couric—as well as actionable information for what to do if you find yourself in the same boat—the book is a salve and a solve for anyone who has gotten kicked off the ladder, only to find the ladder no longer exists. Part manual, part career-oriented memoir, All the Cool Girls Get Fired reframes the narrative around losing your job and provides a road map for what to do next.
Brown and O'Neill swiftly found their way back to steady employment, though they both emphasize that getting canned gave them the time to find jobs that better fit into their lives.
Brown founded her own company, LB Media, which pairs the arts with the global community to benefit health and culture. O'Neill is the head of Sotheby's Media and an editor in chief once again, this time for Sotheby's Magazine.
Here, Brown and O'Neill talk about what went down for each of them, the way they dealt with it, and how they hope the book helps shift the conversation around an all-too-common experience.
Denne historien er fra October 2025-utgaven av Harper's BAZAAR - US.
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FLERE HISTORIER FRA Harper's BAZAAR - US
Harper's BAZAAR - US
Wildest DREAMS
There's never been a better time to go on SAFARI, with CAMPS that prioritize CONSERVATION delivering ONCE-in-a-LIFETIME experiences
2 mins
November 2025
Harper's BAZAAR - US
On PERFORMANCE
I met Cynthia Erivo over 10 years ago, when she first moved from London to New York and ended up becoming my neighbor. I always knew she would go on to do amazing things, and I can think of no one more fitting to celebrate on the cover of our Performance issue, as audiences gear up to take her in as Elphaba once more in Wicked: For Good. I have always been struck by the way Erivo can come off as both delicate and larger than life—or, as Jazmine Hughes writes in her cover story, “able to put both her strength and her softness on display.” This manifests in the photos too, shot by Cass Bird and styled by Yashua Simmons, portraying a performer at the peak of her powers, glamorous and self-assured and vulnerable all at once.
2 mins
November 2025
Harper's BAZAAR - US
Holding THE STAGE
DEREK C. BLASBERG talks to comedian and writer JULIO TORRES and playwright JORDAN TANNAHILL about the POWER of WORDS, how PERFORMANCE can be an act of DEFIANCE, and the importance of telling QUEER stories in REPRESSIVE (and REGRESSIVE) times
6 mins
November 2025
Harper's BAZAAR - US
LIGHT Show
LASER TREATMENTS have gotten so ADVANCED, there's now a LIGHT-BASED option for every skin GOAL and TONE. Ahead, the EXPERT GUIDE to the latest and greatest TECHNOLOGIES for RADIANT, SMOOTH skin-NO NEEDLES or scalpels required.
5 mins
November 2025
Harper's BAZAAR - US
WHY DON'T YOU...?
As we celebrate the POWER of PERFORMANCE this month, LYNETTE NYLANDER implores you to CHANNEL the GREAT DIVAS, past and present, in your daily ROUTINE. As SHAKESPEARE wrote, all the WORLD'S a STAGE!
2 mins
November 2025
Harper's BAZAAR - US
Who Gets to Be PREPPY?
The style once RESERVED for the PRIVILEGED few is now UBIQUITOUS, open to broad INTERPRETATION, and ACCESSIBLE to ALL
6 mins
November 2025
Harper's BAZAAR - US
CYNTHIA ERIVO Is Unstoppable
CYNTHIA ERIVO has always been a ONCE-IN-ALIFETIME PERFORMER with a VOICE for the AGES. Now, she's a STAR for them too.
10 mins
November 2025
Harper's BAZAAR - US
Leaps & BOUNDS
MISTY COPELAND transformed the DANCE WORLD during her 25 years with the American Ballet Theatre. Now she's RETIRING from the only company she's ever known-but she's still RAISING the BAR.
10 mins
November 2025
Harper's BAZAAR - US
DWANA SMALLWOOD, NOVEMBER 2000
“A GREAT DANCER uses movement as a poet uses words. The grandest and slightest gestures—a head thrown back, a leg held high—illuminate the spirit and the heart.” That was how writer Elizabeth Kaye described the art of dance in an essay that accompanied a portfolio titled “Fast Company” in the November 2000 issue of Harper’s Bazaar. Photographed by Patrick Demarchelier, the story showcased six performers who were making their mark on the dance world at the turn of the 21st century—among them, Alvin Ailey American Dance Theater principal Dwana Smallwood.
1 min
November 2025
Harper's BAZAAR - US
SHABOOZEY
Introducing This Issue's MUSIC DIRECTOR
1 min
November 2025
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