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The ART of GIVING

Harper's BAZAAR - US

|

March 2025

This month, our columnist, DEREK C. BLASBERG, talks to AWAY cofounder and CEO JEN RUBIO about the free admission program she helped create at New York's WHITNEY MUSEUM OF AMERICAN ART, what it means to BUILD a PHILANTHROPIC LEGACY, and why ACCESS might be the greatest gift of ALL

The ART of GIVING

It's 8:00 p.m. on a Friday night, and I'm standing in line with a bunch of cool-looking downtown types waiting to get into a hot spot in Manhattan's Meatpacking District. And I mean all types: older people (my age?); younger people; gay people; straight people; people who represent a whole range of backgrounds, identities, and experiences-each one dressed better than the last, everyone in a festive mood. Through the window, I see a DJ spinning under neon lights and people holding beers.

No, this isn't a new nightclub or a casting for a Netflix drama about impossibly cool, sexy New Yorkers. I'm at the Whitney Museum of American Art's Free Friday Nights, a programmed art party open to all from 5:00 p.m. to 10:00 p.m. (The neon lights above the DJ are Glenn Ligon's 2009 work Rückenfigur.) My tour guide/drinking buddy is Jen Rubio, the Away luggage cofounder, who, with her tech entrepreneur husband, Stewart Butterfield, split a gift to make Friday nights free at the Whitney for three years. (The other half came from fellow board member Paul Arnhold, an artist, and his husband, Wes Gordon, Carolina Herrera's creative director.) Inside, the place is packed.

imageEvery exhibit is open, including the Whitney's groundbreaking Alvin Ailey show, where the Obamas spent their 32nd anniversary, along with works from the Whitney's permanent collection, which includes my absolute favorite painting of all time, Jasper Johns's Three Flags (1958). On the rooftop terrace, visitors sip cocktails and take selfies with the Empire State Building in the background.

"How incredible is it that this has become a real part of people's weekends?" Rubio says, beaming. We snoop on a couple who look like they're on a date.

FLERE HISTORIER FRA Harper's BAZAAR - US

Harper's BAZAAR - US

Wildest DREAMS

There's never been a better time to go on SAFARI, with CAMPS that prioritize CONSERVATION delivering ONCE-in-a-LIFETIME experiences

time to read

2 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

On PERFORMANCE

I met Cynthia Erivo over 10 years ago, when she first moved from London to New York and ended up becoming my neighbor. I always knew she would go on to do amazing things, and I can think of no one more fitting to celebrate on the cover of our Performance issue, as audiences gear up to take her in as Elphaba once more in Wicked: For Good. I have always been struck by the way Erivo can come off as both delicate and larger than life—or, as Jazmine Hughes writes in her cover story, “able to put both her strength and her softness on display.” This manifests in the photos too, shot by Cass Bird and styled by Yashua Simmons, portraying a performer at the peak of her powers, glamorous and self-assured and vulnerable all at once.

time to read

2 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

Holding THE STAGE

DEREK C. BLASBERG talks to comedian and writer JULIO TORRES and playwright JORDAN TANNAHILL about the POWER of WORDS, how PERFORMANCE can be an act of DEFIANCE, and the importance of telling QUEER stories in REPRESSIVE (and REGRESSIVE) times

time to read

6 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

LIGHT Show

LASER TREATMENTS have gotten so ADVANCED, there's now a LIGHT-BASED option for every skin GOAL and TONE. Ahead, the EXPERT GUIDE to the latest and greatest TECHNOLOGIES for RADIANT, SMOOTH skin-NO NEEDLES or scalpels required.

time to read

5 mins

November 2025

Harper's BAZAAR - US

WHY DON'T YOU...?

As we celebrate the POWER of PERFORMANCE this month, LYNETTE NYLANDER implores you to CHANNEL the GREAT DIVAS, past and present, in your daily ROUTINE. As SHAKESPEARE wrote, all the WORLD'S a STAGE!

time to read

2 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

Who Gets to Be PREPPY?

The style once RESERVED for the PRIVILEGED few is now UBIQUITOUS, open to broad INTERPRETATION, and ACCESSIBLE to ALL

time to read

6 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

CYNTHIA ERIVO Is Unstoppable

CYNTHIA ERIVO has always been a ONCE-IN-ALIFETIME PERFORMER with a VOICE for the AGES. Now, she's a STAR for them too.

time to read

10 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

Leaps & BOUNDS

MISTY COPELAND transformed the DANCE WORLD during her 25 years with the American Ballet Theatre. Now she's RETIRING from the only company she's ever known-but she's still RAISING the BAR.

time to read

10 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

DWANA SMALLWOOD, NOVEMBER 2000

“A GREAT DANCER uses movement as a poet uses words. The grandest and slightest gestures—a head thrown back, a leg held high—illuminate the spirit and the heart.” That was how writer Elizabeth Kaye described the art of dance in an essay that accompanied a portfolio titled “Fast Company” in the November 2000 issue of Harper’s Bazaar. Photographed by Patrick Demarchelier, the story showcased six performers who were making their mark on the dance world at the turn of the 21st century—among them, Alvin Ailey American Dance Theater principal Dwana Smallwood.

time to read

1 min

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

SHABOOZEY

Introducing This Issue's MUSIC DIRECTOR

time to read

1 min

November 2025

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