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LIFE of the PARTY

Harper's BAZAAR - US

|

December 2024 - January 2025

Dance the night away with looks inspired by PARTY MAKEUP of the PAST. Grab BLACK EYELINER and lots of GLITTER, but leave perfection at the door. Here, how to re-create the coolest EYES, LIPS, and FACE for any FESTIVE OCCASION.

- KATIE INTNER

LIFE of the PARTY

This past year, Charli XCX's Brat album became a cultural movement. Lyrics like "365 party girl" and "club classics"on the heels of the nightlife hiatus since 2020-satiated a desire for midnight dancing, fun with friends, and abandoning responsibilities in a club for a few hours. The devil-may-care idea of Brat became such a success, and even influenced beauty trends, in part due to the nostalgia for an easygoing, somewhat grungy way of dressing up and living in a pre-iPhone era-the origin of modern party makeup. Without knowing it, Charli XCX and her flock of club rats gave us all permission to wear delightfully messy smoky eyes and pounds of glitter.

"After years of striving for perfection-from block eyebrows to cut creases in the 2010s-and then doing the minimalistic clean-girl aesthetic more recently, party makeup returning is the pendulum naturally swinging the other way," says makeup artist Troy Surratt, founder of Surratt Beauty. "Makeup for a fun night out should look lived-in and reminiscent of how it would appear the morning after."

Whether you're speaking with makeup artists or just scrolling TikTok or Instagram, the same reference image comes up again and again: an off-duty Kate Moss from the '90s with a cigarette pressed between her youthful, just-bitten lips and kohl-rimmed eyes with just a hint of sparkle. Fellow party girls emulated and remixed Moss's look, including nightlife perennial Paris Hilton for her memorable 21st-birthday look in 2002, featuring sooty eyeshadow and a nude frosty lip. "I did my makeup myself that night, and my inspiration was Kate Moss's smoky eye," Hilton says. "She was my style icon, and I wanted a look that was both bold and iconic for my 21st."

FLERE HISTORIER FRA Harper's BAZAAR - US

Harper's BAZAAR - US

Wildest DREAMS

There's never been a better time to go on SAFARI, with CAMPS that prioritize CONSERVATION delivering ONCE-in-a-LIFETIME experiences

time to read

2 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

On PERFORMANCE

I met Cynthia Erivo over 10 years ago, when she first moved from London to New York and ended up becoming my neighbor. I always knew she would go on to do amazing things, and I can think of no one more fitting to celebrate on the cover of our Performance issue, as audiences gear up to take her in as Elphaba once more in Wicked: For Good. I have always been struck by the way Erivo can come off as both delicate and larger than life—or, as Jazmine Hughes writes in her cover story, “able to put both her strength and her softness on display.” This manifests in the photos too, shot by Cass Bird and styled by Yashua Simmons, portraying a performer at the peak of her powers, glamorous and self-assured and vulnerable all at once.

time to read

2 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

Holding THE STAGE

DEREK C. BLASBERG talks to comedian and writer JULIO TORRES and playwright JORDAN TANNAHILL about the POWER of WORDS, how PERFORMANCE can be an act of DEFIANCE, and the importance of telling QUEER stories in REPRESSIVE (and REGRESSIVE) times

time to read

6 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

LIGHT Show

LASER TREATMENTS have gotten so ADVANCED, there's now a LIGHT-BASED option for every skin GOAL and TONE. Ahead, the EXPERT GUIDE to the latest and greatest TECHNOLOGIES for RADIANT, SMOOTH skin-NO NEEDLES or scalpels required.

time to read

5 mins

November 2025

Harper's BAZAAR - US

WHY DON'T YOU...?

As we celebrate the POWER of PERFORMANCE this month, LYNETTE NYLANDER implores you to CHANNEL the GREAT DIVAS, past and present, in your daily ROUTINE. As SHAKESPEARE wrote, all the WORLD'S a STAGE!

time to read

2 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

Who Gets to Be PREPPY?

The style once RESERVED for the PRIVILEGED few is now UBIQUITOUS, open to broad INTERPRETATION, and ACCESSIBLE to ALL

time to read

6 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

CYNTHIA ERIVO Is Unstoppable

CYNTHIA ERIVO has always been a ONCE-IN-ALIFETIME PERFORMER with a VOICE for the AGES. Now, she's a STAR for them too.

time to read

10 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

Leaps & BOUNDS

MISTY COPELAND transformed the DANCE WORLD during her 25 years with the American Ballet Theatre. Now she's RETIRING from the only company she's ever known-but she's still RAISING the BAR.

time to read

10 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

DWANA SMALLWOOD, NOVEMBER 2000

“A GREAT DANCER uses movement as a poet uses words. The grandest and slightest gestures—a head thrown back, a leg held high—illuminate the spirit and the heart.” That was how writer Elizabeth Kaye described the art of dance in an essay that accompanied a portfolio titled “Fast Company” in the November 2000 issue of Harper’s Bazaar. Photographed by Patrick Demarchelier, the story showcased six performers who were making their mark on the dance world at the turn of the 21st century—among them, Alvin Ailey American Dance Theater principal Dwana Smallwood.

time to read

1 min

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

SHABOOZEY

Introducing This Issue's MUSIC DIRECTOR

time to read

1 min

November 2025

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