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Inner DRIVE

Harper's BAZAAR - US

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November 2024

KENDRICK LAMAR has consistently PUSHED the ART of HIP-HOP to NEW HEIGHTS. In advance of his SUPER BOWL performance, he gets PERSONAL with friend and fellow artist SZA

Inner DRIVE

It's a warm August night in Santa Monica, and Kendrick Lamar is sitting on a low sofa in a hotel suite as the sun sets behind him, very carefully speaking to SZA and me. It's more than a little surreal to have Lamar, the closest thing this era of hip-hop has to a truth teller, leaning forward and looking intently first into SZA's face, then mine, saying things like "I do believe in love and war, and I believe they both need to exist."

Lamar and SZA are, of course, two of the world's biggest superstars, used to commanding stadiums full of fans. Lamar is the MC who many would argue keeps the soul of hip-hop alive. We are one year removed from the 50th anniversary of hip-hop, and the genre that once signified rebellion and artistic freedom has settled into its current iteration as the lingua franca of corporations and the American empire with barely a pang of conscience. Amid all this, Lamar remains a rarity: a true artist interested in exploring the limits of self-expression and creativity. He makes personal records about regret, family trauma, and desire even as he consistently captures the zeitgeist. A dizzyingly fantastical lyricist, he has consistently challenged himself, first with his debut album, 2011's Section.80, and continuing with good kid, m.A.A.d city. In 2018, he won a Pulitzer Prize for his album DAMN, the first time a work outside of classical or jazz traditions was honored.

Early next year, he will be headlining Super Bowl LIX For this issue, only the fifth time this magazine has put a man alone on the cover, Lamar wanted SZA to interview him. It's a move that makes sense when, later on, Lamar explains that he processes information best through connections with others. The two are former labelmates who toured together as they were coming up. In 2018, their song "All the Stars" was featured in Black Panther (Lamar also produced the soundtrack) and was later nominated for Grammy, Golden Globe, and Academy awards.

FLERE HISTORIER FRA Harper's BAZAAR - US

Harper's BAZAAR - US

Wildest DREAMS

There's never been a better time to go on SAFARI, with CAMPS that prioritize CONSERVATION delivering ONCE-in-a-LIFETIME experiences

time to read

2 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

On PERFORMANCE

I met Cynthia Erivo over 10 years ago, when she first moved from London to New York and ended up becoming my neighbor. I always knew she would go on to do amazing things, and I can think of no one more fitting to celebrate on the cover of our Performance issue, as audiences gear up to take her in as Elphaba once more in Wicked: For Good. I have always been struck by the way Erivo can come off as both delicate and larger than life—or, as Jazmine Hughes writes in her cover story, “able to put both her strength and her softness on display.” This manifests in the photos too, shot by Cass Bird and styled by Yashua Simmons, portraying a performer at the peak of her powers, glamorous and self-assured and vulnerable all at once.

time to read

2 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

Holding THE STAGE

DEREK C. BLASBERG talks to comedian and writer JULIO TORRES and playwright JORDAN TANNAHILL about the POWER of WORDS, how PERFORMANCE can be an act of DEFIANCE, and the importance of telling QUEER stories in REPRESSIVE (and REGRESSIVE) times

time to read

6 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

LIGHT Show

LASER TREATMENTS have gotten so ADVANCED, there's now a LIGHT-BASED option for every skin GOAL and TONE. Ahead, the EXPERT GUIDE to the latest and greatest TECHNOLOGIES for RADIANT, SMOOTH skin-NO NEEDLES or scalpels required.

time to read

5 mins

November 2025

Harper's BAZAAR - US

WHY DON'T YOU...?

As we celebrate the POWER of PERFORMANCE this month, LYNETTE NYLANDER implores you to CHANNEL the GREAT DIVAS, past and present, in your daily ROUTINE. As SHAKESPEARE wrote, all the WORLD'S a STAGE!

time to read

2 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

Who Gets to Be PREPPY?

The style once RESERVED for the PRIVILEGED few is now UBIQUITOUS, open to broad INTERPRETATION, and ACCESSIBLE to ALL

time to read

6 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

CYNTHIA ERIVO Is Unstoppable

CYNTHIA ERIVO has always been a ONCE-IN-ALIFETIME PERFORMER with a VOICE for the AGES. Now, she's a STAR for them too.

time to read

10 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

Leaps & BOUNDS

MISTY COPELAND transformed the DANCE WORLD during her 25 years with the American Ballet Theatre. Now she's RETIRING from the only company she's ever known-but she's still RAISING the BAR.

time to read

10 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

DWANA SMALLWOOD, NOVEMBER 2000

“A GREAT DANCER uses movement as a poet uses words. The grandest and slightest gestures—a head thrown back, a leg held high—illuminate the spirit and the heart.” That was how writer Elizabeth Kaye described the art of dance in an essay that accompanied a portfolio titled “Fast Company” in the November 2000 issue of Harper’s Bazaar. Photographed by Patrick Demarchelier, the story showcased six performers who were making their mark on the dance world at the turn of the 21st century—among them, Alvin Ailey American Dance Theater principal Dwana Smallwood.

time to read

1 min

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

SHABOOZEY

Introducing This Issue's MUSIC DIRECTOR

time to read

1 min

November 2025

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