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CONSIDER

Vanity Fair US

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September 2024

NO ONE KNOWS CANDIDATE ROBERT F. KENNEDY JR.'S PROBLEMATIC HISTORY BETTER THAN HIS FAMILY. JOE HAGAN TALKS TO THAT RELUCTANT INNER CIRCLE ABOUT KENNEDY'S PAST AND THE STAKES FOR AMERICA'S FUTURE

- JOE HAGAN

CONSIDER

CHEAPER BY THE DOZEN Ethel and Robert F. Kennedy Sr. with nine of their children in 1966.

TWENTY YEARS AGO

Robert F. Kennedy Jr. appeared in an HBO documentary about the dangers of a nuclear plant on the Hudson River. Indian Point: Imagining the Unimaginable, directed by his sister Rory Kennedy, pits the crusading Kennedys, pictured flying in a helicopter over the nuclear facility, against Entergy, the power company. The film argued that the surrounding environment would be made uninhabitable if the plant came under terrorist attack.

This was necessarily a high-stakes confrontation. In anticipation, Rory warned her production team they had a potential liability: Her brother, though a prominent and successful environmental lawyer known for suing polluters, could be fast and loose with the facts. "He can say some crazy shit," she told them, according to a person involved in the film. Kennedy's interviews had to be thoroughly fact-checked "even though he might come across as an expert," she said.

"That's who he is." Sure enough, the film had already been edited when producers discovered that Kennedy's interviews were littered with inflated and inaccurate claims, rendering portions of the film unusable. "It was like, Holy shit," says another source familiar with events. "We have to get the audio and cut certain things out. We can't really say this. You can be sued!"

"BOBBY WAS OUR LAST ILLUSION," DAVID KENNEDY NOT LONG AFTER THE BOOK WAS EXCERPTED,

The experience of having to tear the film apart and reedit it was deeply frustrating for Rory, especially because HBO had wanted more Bobby, not less. When her brother gave a speech at the film's premiere, wowed audience members asked Rory why she hadn't included some of his more dramatic points in her film. She couldn't tell them it was because they were untrue.

FLERE HISTORIER FRA Vanity Fair US

Vanity Fair US

Vanity Fair US

THE PEOPLE'S PRINCES

In Hollywood's golden age, studios turned regular men into secular gods: changing their names, hiding their flaws. But now, writes OTTESSA MOSHFEGH, the era of the remote matinee idol is over-and the dawn of the almost approachable, appealingly authentic modern actor is in full swing. Meet the new class of leading men

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Once upon a time, going out in Hollywood was actually fun. DEREK C. BLASBERG lifts the velvet rope for an oral history of LA nightlife in the 2000s as told by the insiders who made it happen

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California Schemin'

Even newspapers can have Hollywood ambitions. As the New York Post colonizes Los Angeles, its editors reveal big future plans, and, as LACHLAN CARTWRIGHT reports, onlookers are welcoming the California news wars

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MIDCENTURY MAISON

For years, Nicolas Ghesquière had one very special West Hollywood house on his mood board. PAUL GOLDBERGER tours the property—newly restored by the designer and his partner, Drew Kuhse—that is now the couple's American home base

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World on Fire

OLIVIA NUZZI was a star political correspondent until scandal led her into exile—and to a California up in flames. In an excerpt from American Canto, our West Coast Editor takes stock of scorched earth

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Vanity Fair US

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RUTH E. CARTER

Ryan Coogler's go-to costume designer—the two-time Oscar winner who breathed life into Spike Lee's earlier masterpieces and conjured up Black Panther's signature style—on taking a seminal trip to Egypt, wearing status pajamas, and telling her doctor little white lies

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All in Vein

VERA PAPISOVA spends the day with Hollywood's new in-demand accoutrement: a blood concierge

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THE ELEPHANT IN THE ROOM

Hollywood knows AI is a profound technology bound to be transformative, and also bound to replace humans. It's all anyone can talk about in private, at parties, on location. With the town on edge, TOM DOTAN plumbs the industry's anxiety and hope

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Vanity Fair US

Vanity Fair US

How to Win an Oscar—or Go Broke Trying

Awards season, an annual circus of consultants and events, is awash in money. Nearly everyone involved seems to tolerate this at best. So why does Hollywood keep doing it? JOY PRESS looks for answers

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37 HOURS IN HOLLYWOOD

From a dawn run for Erewhon smoothies to sunset on Hollywood Boulevard, with stops in London, Paris, Nashville, and New York, Vanity Fair invites you to ramble and roam the corridors of a global industry at a crossroads.

time to read

8 mins

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