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British Romance, Carrie Coon in “Bug”
The New Yorker
|November 10, 2025
Winter falls softly on Broadway; and so only a few shows are tiptoeing in after the autumn rush. The two-person British musical “Two Strangers (Carry a Cake Across New York)” (Longacre; begins previews Nov. 1), written by Jim Barne and Kit Buchan, hops across the pond hoping to make a romantic splash; the great June Squibb appears in Jordan Harrison's 2014 wistful sci-fi drama “Marjorie Prime” (Hayes; Nov. 20); the short-story writer Simon Rich's anthology show “All Out: Comedy About Ambition” features a rotating suite of big-name comedians (Nederlander; Dec. 12); and the revival of “Bug,” Tracy Letts's 1996 thriller, stars Namir Smallwood and the incredible Carrie Coon, who is scratching her theatre itch after too long away (Friedman; Dec. 17).
Off Broadway, beloved actors appear in familiar tales: Michael Urie plays the deposed “Richard II” (Astor Place Theatre; in previews, opens Nov. 10), in Craig Baldwin's Shakespeare adaptation, and the playwright Alex Lin modernizes a different Shakespeare tragedy for “Laowang: A Chinatown King Lear” (59E59; Nov. 1), featuring the tremendous Wai Ching Ho as a restaurateur in a succession crisis. Nicholas Braun and the two-time Tony Award winner Kara Young star in Rajiv Joseph's 2012 toxic-relationship drama, “Gruesome Playground Injuries” (Lucille Lortel; Nov. 7); Lucas Hnath's version of Molière's “Tartuffe” features beaucoup Tony awardees, including Matthew Broderick and Francis Jue (New York Theatre Workshop; Nov. 28); and the five-time Oscar nominee Michelle Williams sails into Eugene O’Neill’s toughest romance, the 1921 “Anna Christie” (St. Ann’s Warehouse; Nov. 25).
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FLERE HISTORIER FRA The New Yorker
 The New Yorker
LAST HARVEST
Georgi Gospodinov's new novel probes what dies when your father does.
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 The New Yorker
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Joachim Trier's approach to directing is as empathic as his films.
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TABLEAU VIVANT
The surprising endurance of Martha Stewart's \"Entertaining.\"
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THE PLAYER KING
Anthony Hopkins looks back.
12 mins
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Ed Caesar on Nick Paumgarten's "Up and Then Down"
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3 mins
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THE PICTURES DAY IN THE LIFE
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3 mins
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TRANSITIONS
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23 mins
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 The New Yorker
Pam Tanowitz's Pastoral, Ailey Does Joni Mitchell
In the dreary month of January, summer makes a brief but welcome appearance via Pam Tanowitz’s “Pastoral” (Rose Theatre; Jan. 11-13). It’s a bucolic work, a peaceable kingdom of serene, sometimes quirky dances, set within a landscape of vibrantly colored fabric panels by the artist Sarah Crowner. Dancers move with bracing clarity as Beethoven's “Pastoral” Symphony wafts across Caroline Shaw’s musical collage, which also suggests the buzzing of insects, bird calls, rain.
1 mins
November 10, 2025
 The New Yorker
Lorde, Clipse, Sudan Archives
There's a little something for everyone sprinkled across this winter's slate of shows in contemporary music. Those looking for ambience should catch the sound-design pioneer Suzanne Ciani at St. Ann & the Holy Trinity, where the accomplished composer will improvise on her modular synthesizer inside the grand cathedral (Dec. 6).
2 mins
November 10, 2025
 The New Yorker
MOTHER OF MEN LAUREN GROFF
There are men in my house, too many men, I am being driven mad by the men who are always in my house.
15 mins
November 10, 2025
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