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Still, Soft, Intentional

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July/August 2025

A subtle design language, grounded in warmth, memory and restraint, is reshaping Indian homes. We weigh in on how a new design language emerges from this softness in home décor

- By Geetika Sachdev

Still, Soft, Intentional

Aquieter kind of aesthetic is taking root in Indian homes – one that doesn't clamour for attention but reveals itself gradually, with warmth and intention. There's a conscious move away from the loud, hyper-curated language of maximalism and fast décor. Instead, spaces today are increasingly leaning towards calm, character and craftsmanship.

The focus has unmistakably shifted from designing homes that impress on social media to crafting spaces that enrich everyday life. Today's interiors are meant to be felt, not just seen. They are designed to flow with daily rhythms, adapt to evolving needs, and grow more soulful with time.

The idea of perfection is giving way to character. Surfaces are meant to gather a patina, not just wear down. Materials are chosen for how they feel to the touch, how they age over time and how they hold memory.

Amid this broader shift, diverse design philosophies are emerging–all grounded in authenticity, intention and a quiet luxury rooted in craftsmanship and longevity.

Elegance without excess

Quiet luxury is not about spectacle, it's about substance. Anchored in restraint, this philosophy favours pieces that don't beg for attention but focus on integrity of form, material and intention.

"This approach values craftsmanship over labels and texture over trend. Imagine a space anchored by a finely woven linen chair, or a single ceramic object placed with care–each piece chosen for how it feels, ages, and endures," says Devika Khosla, Creative Director at The Works Interiors.

The colour palette remains deliberately subdued. Think warm neutrals, moody charcoal, soft taupes and aged black. These tones act as a gentle canvas against which tactile materials–raw timber, unlacquered brass, handwoven fabrics–can come alive. There's no desire to overwhelm the eye. Instead, the goal is to slow it down.

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