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October/November 2024
|International Artist
Blending elements of realism and surrealism, figurative artist Anna Wypych’'s paintings are dominated by vivid reds
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In Goethe's color theory, he asserted that colors hold the power to shape our perception and emotional responses to life. Taking it a step further, one could argue that our emotions and moods influence the colors we choose to envelop ourselves in.
My connection with colors has always been profound, but there's an intriguing journey that brought me to my current fascination with red. For as long as I can recall, I had a disinterest in pink. It was a color I avoided in my clothing and surroundings, even in my childhood toys. However, a peculiar thing began happening in my paintings. Magenta started to emerge as a hidden dominant color. It became the versatile choice for me, seamlessly blending with other tones and enhancing the palette. Then, a change happened I found myself strangely drawn to pink while out shopping. I allowed myself to lean into this feeling, and slowly, more and more accessories in this color appeared around me.
Denne historien er fra October/November 2024-utgaven av International Artist.
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FLERE HISTORIER FRA International Artist
International Artist
Marshland Glow
Through glazing and scumbling, oil painter Karen Murphy manipulates her medium to create atmospheric landscapes
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Quiet Rhythm
Using deep shadows and a desaturated palette, Daria Antonova creates townscapes imbued with emotion
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To the Point
Keita Tsuji uses pointillism to heighten the color expression in his pastel paintings
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Change Up
Primarily a watercolor artist, Heidi Willis breaks down her approach to working with a new medium
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Form and Space
Alicia Ponzio's interest in human anatomy guides her sculptural works
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International Artist
The Texture of Time
Bennett Prize winner Amy Werntz create works of art that celebrate the beauty that only comes with age
5 mins
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International Artist
Pattern making
My painting process is predominantly intuitive.
1 min
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The Big Picture
Tony Thielen paints bold, expressive scenes by starting with the biggest shapes, then working toward the finer details
1 mins
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International Artist
Fluid Fusion
Pigments merge and create subtle gradients in Ian de Hoog's traditional wet-in-wet approach
2 mins
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International Artist
MAKING MOVES
How to pitch your work to the press
4 mins
August/September 2025
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