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ART ETERNAL

Master at Work

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International Artist

Harley Brown’s fascinating things no one else will tell you

ART ETERNAL

There are great creations in the arts which never leave me. I can name many but will mention two: Mona Lisa and the Rach 3. I’ve sat and gazed at dear Mona since I was 7 years old. Each time totally absorbed seeing her magic aura. Same with Rachmaninoff piano Concerto No. 3; Vladimir Horowitz on piano. I blissfully listened to it for over half a century. I realize I should be discussing visual art, but bringing forth music further illuminates how our needy minds are endless in the arts.

So important are works by today’s brilliant artists that have captured me each time I looked at them; masterworks driven by remarkable talents with abilities to create art both personal and original. Your art can have that.

Humans in Arts 

Like all humans, I get anxious and concerned with certain things awaiting me. Well, all those nerve-end moments disappear the minute I begin a dozen creative pastel strokes; walk into the class like a family gathering, and lay in my first “can’t wait” sentence for the article. What happens? Well, I’m going into the world I totally love and dumping unwelcome concerns.

Working Further 

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Marshland Glow

Through glazing and scumbling, oil painter Karen Murphy manipulates her medium to create atmospheric landscapes

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Quiet Rhythm

Using deep shadows and a desaturated palette, Daria Antonova creates townscapes imbued with emotion

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To the Point

Keita Tsuji uses pointillism to heighten the color expression in his pastel paintings

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Change Up

Primarily a watercolor artist, Heidi Willis breaks down her approach to working with a new medium

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Form and Space

Alicia Ponzio's interest in human anatomy guides her sculptural works

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The Texture of Time

Bennett Prize winner Amy Werntz create works of art that celebrate the beauty that only comes with age

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Pattern making

My painting process is predominantly intuitive.

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The Big Picture

Tony Thielen paints bold, expressive scenes by starting with the biggest shapes, then working toward the finer details

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Fluid Fusion

Pigments merge and create subtle gradients in Ian de Hoog's traditional wet-in-wet approach

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MAKING MOVES

How to pitch your work to the press

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4 mins

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