GĂ„ ubegrenset med Magzter GOLD

GĂ„ ubegrenset med Magzter GOLD

FĂ„ ubegrenset tilgang til over 9000 magasiner, aviser og premiumhistorier for bare

$149.99
 
$74.99/År

PrĂžve GULL - Gratis

Sleepers Awake

Issue 243 - June - August 2024

|

Frieze

Built Environment: By slowing sound, John Cage created a rousing music of shifting relations to space

- Carson Chan

Sleepers Awake

IN 1987, COMPOSER JOHN CAGE wrote a four-page piece for organ called ORGAN2/ASLSP, an adaptation of Aslsp, As SLow aS Possible (1985), which he wrote for piano. Each note decays as soon as it’s been played on the piano but, on the organ, the note can be maintained for as long as the performer wishes or deems ‘possible’. Cage didn’t write a time signature, nor does his score adhere to conventional values. Thick horizontal bars follow each note, the length of which equate to a percentage of the pre-determined duration of the entire performance. Over the years, organists have competed to make their performance the longest: slow is always relative.

FLERE HISTORIER FRA Frieze

Frieze

Frieze

JR Perrotin, London, UK

In 2017, the French street artist JR staged a giant installation at the US-Mexico border wall, with guests enjoying a meal on either side.

time to read

2 mins

Issue 252 - June, July, August 2025

Frieze

Frieze

Leah Ke Yi Zheng

In ‘Machine(s)’, her first solo exhibition at Layr, Wuyishan-born, Chicago-based artist Leah Ke Yi Zheng continues to confront the conventional role of canvas as passive support in works whose physical shape is integral to their meaning and whose mutable, translucent surfaces are imbued with an almost-bodily presence.

time to read

2 mins

Issue 252 - June, July, August 2025

Frieze

Frieze

Caught in a Landslide

Neuer Berliner Kunstverein and KINDL, Berlin, Germany

time to read

2 mins

Issue 252 - June, July, August 2025

Frieze

Frieze

Typologien

In the age of AI deep fakes and disinformation, dissecting the context and influence of image production is more important than ever.

time to read

2 mins

Issue 252 - June, July, August 2025

Frieze

Frieze

C'est Marseille, bébé

Dossier: Four love letters to Marseille – penned by curators and writers – celebrate the cultural and political spirit of France’s second city

time to read

11 mins

Issue 252 - June, July, August 2025

Frieze

Frieze

Banu Cennetoğlu

In ‘BEING SAFE IS SCARY’, Turkish artist Banu Cennetoğlu reflects upon the adversities of the migrant experience, hinting at the extraordinary powers that governments can wield in the guise of protection.

time to read

2 mins

Issue 252 - June, July, August 2025

Frieze

Frieze

They Began to Talk

Against the background of an endless vibra-tion, birds chirp as trains rumble by.

time to read

2 mins

Issue 252 - June, July, August 2025

Frieze

Frieze

In Our Own Backyard

‘How many feminists do you need to change an electric bulb?’ asked Indian writer and activist Kamla Bhasin and author and illustrator Bindia Thapar in their book Laughing Matters (2004).

time to read

2 mins

Issue 252 - June, July, August 2025

Frieze

Frieze

Lawrence Abu Hamdan

Profile: From drone strikes to wind turbines, the artist's latest works examine the weaponization of noise and the politics of listening

time to read

9 mins

Issue 252 - June, July, August 2025

Frieze

Frieze

IlĂȘ Sartuzi

During my visit to IlĂȘ Sartuzi’s current exhibition, ‘Trick’, at Museu de Arte ContemporĂąnea in SĂŁo Paulo, an alarm went off, blaring for what felt like an eternity.

time to read

2 mins

Issue 252 - June, July, August 2025

Listen

Translate

Share

-
+

Change font size