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Marcel Dzama

Issue 243 - May 2024

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Frieze

Canoe Lake, in Algonquin Park, Ontario, is where the great Canadian landscape painter Tom Thomson occasionally lived and worked – and where, at the age of 39, he drowned.

- Brandon Kaufman

Marcel Dzama

McMichael Canadian Art Collection, Vaughan, Canada

Thomson’s influence lives on in the Group of Seven, with whom he was associated, and in ‘Ghosts of Canoe Lake’, Winnipeg-born Marcel Dzama’s first exhibition in Canada in nearly a decade. Across three dozen pictures at the McMichael Canadian Art Collection in Vaughan, Dzama transplants the vision of Thomson’s and the Group’s landscapes onto our ecological reality.

Effective landscape painting beckons the viewer with nature’s majesty, and works by Thomson and the Group will transport them to the foot of a river in British Columbia or to the top of rolling mountains in Quebec. Dzama has long been captivated by Thomson’s paintings, yet here his interest seems to lie less in landscape as a genre and more in how such exalted scenes occupy our imagination – and how the climate crisis, in turn, fuels a crisis of inspiration.

FLERE HISTORIER FRA Frieze

Frieze

Frieze

JR Perrotin, London, UK

In 2017, the French street artist JR staged a giant installation at the US-Mexico border wall, with guests enjoying a meal on either side.

time to read

2 mins

Issue 252 - June, July, August 2025

Frieze

Frieze

Leah Ke Yi Zheng

In ‘Machine(s)’, her first solo exhibition at Layr, Wuyishan-born, Chicago-based artist Leah Ke Yi Zheng continues to confront the conventional role of canvas as passive support in works whose physical shape is integral to their meaning and whose mutable, translucent surfaces are imbued with an almost-bodily presence.

time to read

2 mins

Issue 252 - June, July, August 2025

Frieze

Frieze

Caught in a Landslide

Neuer Berliner Kunstverein and KINDL, Berlin, Germany

time to read

2 mins

Issue 252 - June, July, August 2025

Frieze

Frieze

Typologien

In the age of AI deep fakes and disinformation, dissecting the context and influence of image production is more important than ever.

time to read

2 mins

Issue 252 - June, July, August 2025

Frieze

Frieze

C'est Marseille, bébé

Dossier: Four love letters to Marseille – penned by curators and writers – celebrate the cultural and political spirit of France’s second city

time to read

11 mins

Issue 252 - June, July, August 2025

Frieze

Frieze

Banu Cennetoğlu

In ‘BEING SAFE IS SCARY’, Turkish artist Banu Cennetoğlu reflects upon the adversities of the migrant experience, hinting at the extraordinary powers that governments can wield in the guise of protection.

time to read

2 mins

Issue 252 - June, July, August 2025

Frieze

Frieze

They Began to Talk

Against the background of an endless vibra-tion, birds chirp as trains rumble by.

time to read

2 mins

Issue 252 - June, July, August 2025

Frieze

Frieze

In Our Own Backyard

‘How many feminists do you need to change an electric bulb?’ asked Indian writer and activist Kamla Bhasin and author and illustrator Bindia Thapar in their book Laughing Matters (2004).

time to read

2 mins

Issue 252 - June, July, August 2025

Frieze

Frieze

Lawrence Abu Hamdan

Profile: From drone strikes to wind turbines, the artist's latest works examine the weaponization of noise and the politics of listening

time to read

9 mins

Issue 252 - June, July, August 2025

Frieze

Frieze

IlĂȘ Sartuzi

During my visit to IlĂȘ Sartuzi’s current exhibition, ‘Trick’, at Museu de Arte ContemporĂąnea in SĂŁo Paulo, an alarm went off, blaring for what felt like an eternity.

time to read

2 mins

Issue 252 - June, July, August 2025

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