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4 Galleries to Watch in Tokyo

Issue 243 - June - August 2024

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Frieze

Dossier: A new generation of galleries, non-profits and artist-run spaces has emerged in Tokyo, embracing the city’s famous pop sensibility – and revitalizing one of Asia’s oldest and most storied contemporary art sceneswith commissioned

- Andrew Maerkle, Azby Brown, Andrew Durbin,Taro Nettleton

4 Galleries to Watch in Tokyo

WHEN TAKAYUKI KUBOTA, the artist who runs the alternative space Fig., tells me that he’s seeking to build an exhibition making practice that stops short of professionalism, I check myself. He’s speaking to me on Zoom after a long day of work and the words are delivered a bit awkwardly, but my confusion also has to do with the nature of the Japanese language, which tends to unfold over a series of deferrals that invite an anxious listener to leap to conclusions before the speaker has completed their statement. Since I know Kubota studied at Hunter College in New York before returning to Japan in 2016, the word ‘professionalism’ triggers associations with the old trope of the artist who comes back from overseas with a mission to preach the international standard to everyone back home. That’s not what he’s talking about, is it? No, Kubota clarifies. He’s experimenting with the possibilities of a space that refuses expansion and institutionalization.

Kubota’s stance is emblematic of a turn in recent Japanese thought towards ‘degrowth’, as championed by bestselling Marxist philosopher Kohei Saito in Capital in the Anthropocene (2020). Founded in 2017, Fig. is an intimate operation. Kubota does everything by himself, from installation to administration, while maintaining his own artist practice and teaching art at Temple University, Japan Campus, where he earned his undergraduate degree. Wary of the grant-writing treadmill, he funds Fig. mainly through sales of the artworks he exhibits, supplemented by his own modest income. Until recently, he also lived in the space, which occupies a glorified trunk room wedged between the commercial gallery Misako & Rosen and the family home of art dealer Taka Ishii in Tree-ness House, a multistorey complex in the Otsuka neighborhood.

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In 2017, the French street artist JR staged a giant installation at the US-Mexico border wall, with guests enjoying a meal on either side.

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Leah Ke Yi Zheng

In ‘Machine(s)’, her first solo exhibition at Layr, Wuyishan-born, Chicago-based artist Leah Ke Yi Zheng continues to confront the conventional role of canvas as passive support in works whose physical shape is integral to their meaning and whose mutable, translucent surfaces are imbued with an almost-bodily presence.

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Issue 252 - June, July, August 2025

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Caught in a Landslide

Neuer Berliner Kunstverein and KINDL, Berlin, Germany

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Issue 252 - June, July, August 2025

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Typologien

In the age of AI deep fakes and disinformation, dissecting the context and influence of image production is more important than ever.

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Issue 252 - June, July, August 2025

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C'est Marseille, bébé

Dossier: Four love letters to Marseille – penned by curators and writers – celebrate the cultural and political spirit of France’s second city

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Banu Cennetoğlu

In ‘BEING SAFE IS SCARY’, Turkish artist Banu Cennetoğlu reflects upon the adversities of the migrant experience, hinting at the extraordinary powers that governments can wield in the guise of protection.

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Issue 252 - June, July, August 2025

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They Began to Talk

Against the background of an endless vibra-tion, birds chirp as trains rumble by.

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Issue 252 - June, July, August 2025

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In Our Own Backyard

‘How many feminists do you need to change an electric bulb?’ asked Indian writer and activist Kamla Bhasin and author and illustrator Bindia Thapar in their book Laughing Matters (2004).

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Issue 252 - June, July, August 2025

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Lawrence Abu Hamdan

Profile: From drone strikes to wind turbines, the artist's latest works examine the weaponization of noise and the politics of listening

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Ilê Sartuzi

During my visit to Ilê Sartuzi’s current exhibition, ‘Trick’, at Museu de Arte Contemporânea in São Paulo, an alarm went off, blaring for what felt like an eternity.

time to read

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Issue 252 - June, July, August 2025

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