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A gift at war (for Veterans Day)

Stereophile

|

November 2020

In March 2003, as news networks broadcast images of American tanks racing north toward Baghdad, my infantry platoon dug shallow foxholes in south-ern Iraq. We were part of a defensive perimeter guarding FARP Exxon, a helicopter refueling point for the Army’s 101st Airborne Division.

- JASON DAVIS

A gift at war (for Veterans Day)

The FARP was a small, boundaryless airfield marked not by a runway or buildings but by a couple of scattered antennas and several large fuel blivets. At our dug-in perimeter, the desert spread bare before us in every direction—except in the center of my sector of view. There, beyond a depression in the foreground, were a few makeshift structures on a ridge two klicks north. Every few hours, upon refuel, we buried our faces to escape the Blackhawks’ rotor wash; the tents’ fabric walls whipped as if weathering a storm.

Our first morning at the FARP, my team leader, Brian, and I noticed that the Bedouins sometimes came out to stare and point in our direction. America in their backyard. Did they know the war had begun? Were they the enemy?

Soon, a slow-moving dust cloud drifted toward us, then hooked right. We couldn’t see the road from our position, but as the dust settled, an empty cattle truck emerged. Its diesel engine thrummed a clacking beat, then stood still for a few moments, idling in front of the tents. Our mortar section was on standby; I had a pre-plotted 10-digit grid and a microphone in hand, ready to call it in. A few minutes later, the truck—its bed now filled with a dozen ride-share commuters—disappeared into a new cloud of dust and diesel smoke.

FLERE HISTORIER FRA Stereophile

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Doing it for themselves—and for us

Women have undeniably become the most dynamic and vital creative force in music today. Without their good energies and ideas, music, which in the digital age has become more background than art, would be much less interesting and inspiring.

time to read

3 mins

November 2025

Stereophile

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15 FOR 50 1975 IN 15 RECORDS

WAS IT SOMETHING IN THE AIR, SOMETHING IN THE WATER? COSMICALLY INSPIRED BY THE STARS AND THE MOON? OR MAYBE THE DEVIL WAS FINALLY CLAIMING HIS OWN AS ROCK MUSIC IN ALL ITS VARIANTS WAS UNASSAILABLY ASCENDENT.

time to read

12 mins

November 2025

Stereophile

Stereophile

PrimaLuna EVO 300 Hybrid

These days, listeners the wide world over enjoy hearing their music recreated for them by equipment whose origins are international; trade isolationists might consider the example of PrimaLuna.

time to read

10 mins

October 2025

Stereophile

Stereophile

Bricasti Design M21

Those of us who review audio equipment, and even audiophiles who don't, often talk about our reference systems.

time to read

11 mins

October 2025

Stereophile

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Pablo Records via Granz and Kassem

Way back in my ignorant youth I thought that Pablo Records, the label of jazz producer/promoter legend Norman Granz, was where jazz artists went to fade away, where they were put out to pasture.

time to read

3 mins

October 2025

Stereophile

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Hi-fi for (very) small spaces

For the past few months, I've been getting ready to move. Those of you who've looked for an apartment in New York City know that it may be the single most dismal thing about living here.

time to read

12 mins

October 2025

Stereophile

RECOMMENDED RC2025 COMPONENTS

Every product listed here has been reviewed in Stereophile. Everything on the list, regardless of rating, is genuinely recommendable. Occasionally we get complaints from manufacturers who object to being included in, say, Class B. That's their error: Inclusion in Class B is a significant honor.

time to read

34 mins

October 2025

Stereophile

Stereophile

The Shanling ET3 CD transport

Costing just $899, Shanling's top-loading ET3 CD transport appears to have been designed by people who recognize the multitude of big and small fails (or lost opportunities) of previous CD transports. In use, the ET3 felt like a distillation of what I've always wanted in a transport: strong, solid, compact, cool-looking, and feels good to use. Everyone knows I like pro-audio cool with no froufrou. This Shanling deck looked so damn smart and felt so good to touch that it kept my mind repeating, \"Yep! That's how a CD transport should be built!\"

time to read

11 mins

October 2025

Stereophile

Stereophile

JOHN GIOLAS ASSUMES MARKETING LEADERSHIP AT CH PRECISION AND WATTSON AUDIO

Industry veteran John Giolas, global director of marketing for Swiss-based Wattson Audio since November 2024, has expanded his portfolio by also becoming global director of marketing for Wattson's parent company, CH Precision. The appointment, effective July 16, 2025, consolidates marketing strategy across both Swiss brands under Giolas's direction.

time to read

8 mins

October 2025

Stereophile

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CH Precision C10

It takes audacity for a company that already builds one of the finest DACs on the planet, which is already expensive, to set out to build one that's so much better that it warrants an extra digit in the model number and a much higher price tag. But then CH Precision has never lacked audacity.

time to read

16 mins

October 2025

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