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2019 Stereophile's 28th Annual - Product Of The Year Awards

Stereophile

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December 2019

The first vote I ever cast was in 1964, when I was 10 years old.

- Art Dudley

2019 Stereophile's 28th Annual - Product Of The Year Awards

Our fifth-grade teacher, a psychotic harpy who fined students 25 cents if they dropped a pencil, directed us to elect a Class President and a Class Treasurer: positions of indeterminate powers, although it was generally understood that they did not include the ability to wage war or annex adjoining classrooms. In retrospect—I didn’t realize it at the time—the very loud nominating process was straight out of Lord of the Flies, and even before the day’s final votes were cast, it was clear that the winners would not be chosen on the basis of intelligence, problem-solving skills, or ability to lead. It was a popularity contest. The winners were the brawniest boy and the prettiest girl.

Already, a benevolent monarchy seemed more sensible.

I turned 18 at more or less the time that that became the legal voting age—finally, teenaged males were allowed to participate in choosing the people who would use them as cannon fodder—and on my first try, I failed to affect the changes for which I hoped. I wasn’t daunted. I realized by then that voting was serious stuff, a privilege, and grave responsibility, and I kept at it for many years to come.

Now, more than a half-century later, it’s my privilege and responsibility to preside over and report on some other grave and serious business: Yes, it’s a popularity contest—but it is also Stereophile’s 28th annual product of the year awards. I have come full circle, and the experience has left me with a longing for gingerbread cookies shaped like windmills and milk that’s warm from being left too near the radiator.

Now, let’s see which candidates were the prettiest and the brawniest . . .

HOW WE DID IT

FLERE HISTORIER FRA Stereophile

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EAT F-Dur

TURNTABLE WITH EAT F-NOTE TONEARM

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Hi-fi near and far

As the Spin Doctor, I tend to lead an analog life. I'm not just talking about my preferred ways of listening to music, but also my approach to other everyday technology.

time to read

11 mins

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HiFi Rose RA280

It's been said before, but the essential truth remains as shiny as a new 2A3 tube: A well-made, good-sounding integrated amplifier is a sonic marvel, a triumph of audio engineering. Sound quality is just the beginning.

time to read

14 mins

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15 FOR 50 1975 IN 15 RECORDS

WAS IT SOMETHING IN THE AIR, SOMETHING IN THE WATER? COSMICALLY INSPIRED BY THE STARS AND THE MOON? OR MAYBE THE DEVIL WAS FINALLY CLAIMING HIS OWN AS ROCK MUSIC IN ALL ITS VARIANTS WAS UNASSAILABLY ASCENDENT.

time to read

12 mins

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Doing it for themselves—and for us

Women have undeniably become the most dynamic and vital creative force in music today. Without their good energies and ideas, music, which in the digital age has become more background than art, would be much less interesting and inspiring.

time to read

3 mins

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McIntosh DS200 STREAMING D/A PROCESSOR

McIntosh, which is based in my home state of New York, has long been in my audio life.

time to read

14 mins

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The BEAT Goes On

Adrian Belew had an itch that needed some serious scratching.

time to read

7 mins

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Half a century in hi-fi

Not many hi-fi dealerships can say they've survived half a century of history. Natural Sound, which is based in Framingham, Massachusetts, about 20 miles west of Boston, is one that can.

time to read

3 mins

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The skating force phenomenon

At the beginning of last month's As We See It, I wrote that I've lately been focused on \"analog things.\" I proceeded to write about refurbishing and modding my old McIntosh tuner. That's \"analog thing\" #1.

time to read

4 mins

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Monk's tenor

In Robin D.G. Kelley's definitive, 450-page biography of Thelonious Monk, Monk and tenor saxophonist Charlie Rouse first meet on p.100, in 1944.

time to read

4 mins

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