The All-American Arms Dealer

Samuel Cummings built a global weapons empire in Washington, D.C.’s shadow.

- Por Mark Hemingway

THERE ARE MORE than a few antique shops in historic Old Town Alexandria, Virginia, a short walk from my suburban neighborhood. Antiquing is normally of interest only if my mother-in-law is visit-ing, but some years back a friend messaged me to let me know one of the shops had something I should see. On the back wall, shunted behind a variety of well-preserved 19th century furniture, were two large Soviet propaganda paintings.

The first was a portrait of three strapping Russian sailors, wearing bandoleers across their chests, in front of the Aurora— the infamous ship that fired the first shot on the Winter Palace in St. Petersburg, launching the Russian Revolution. The second painting, of soldiers smoking in a field in Afghanistan, was less dramatic but a better and more impressionistic piece of art. Both paintings were done by well-known graduates of the Kharkov Art Institute and were fine examples of Soviet socialist realism—insofar as one can take any art movement that began under Stalin seriously. I inquired about the paintings, and all the clerk was able to tell me was that they originally came from the estate of a man named Samuel Cummings.

If you know anything about Samuel Cummings, you may suspect the two Soviet paintings were some of his more prosaic possessions. When the billionaire died in 1998, he owned, among many other things, the sword Napoleon carried at Waterloo. For years, he tried to open a museum in Alexandria to exhibit his collection of exotic and historic weaponry, though that never came to fruition.