Prøve GULL - Gratis
THE NEXT STAGE
Guitarist
|February 2021
Ciaran McNally learned his craft at Lowden and helped take Atkin to greater heights. Now building guitars under his own name, he explains how he used lockdown to design a touring acoustic for Irish virtuoso Shane Hennessy
There are many fine acoustic luthiers out there – but you’d be hard-pressed to find many who have the breadth of contrasting experience that Armagh-based guitar maker Ciaran McNally possesses. A protegé of George Lowden and then a key member of the Atkin Guitars team, Ciaran has worked on, by his estimate, several thousand guitars over the years, most of which were finely crafted, high-end instruments. But it all started out much more simply, he recalls: “I started making kits when I was 15/16 years old, and that was just on the kitchen table at home…
“The story goes that I wrecked the kitchen table so much that my mum had to refinish it,” he continues. “She was better at finishing than I was back then [laughs]. So they were just parts casters that you put together, but that naturally progressed to where I thought, ‘Well, I’m not sure I really want to buy the parts anymore, I really want to make them.’
“So I went to a college in Belfast that did an evening course in instrument-making run by an ex-Avalon luthier. People did make various instruments there, though the vast majority of them were acoustic steel-strings. But I went with the intention of making a Les Paul copy. The tutor, Sam, told me, ‘Most people make acoustics and, if you want, you could do an acoustic and you’d probably find a lot of the skills are transferable. You could probably even make an electric at the same time or in your own time.’
“So I started on an acoustic. I was quite into Eric Clapton at the time, so I did a copy of a triple-0 Martin. And I’ve never made an electric guitar since! I really just got totally hooked.”
Denne historien er fra February 2021-utgaven av Guitarist.
Abonner på Magzter GOLD for å få tilgang til tusenvis av kuraterte premiumhistorier og over 9000 magasiner og aviser.
Allerede abonnent? Logg på
FLERE HISTORIER FRA Guitarist
Guitarist
GEAR of The YEAR
THE BEST GUITARS, AMPS & PEDALS OF 2025
4 mins
January 2025
Guitarist
All Aboard
Reading a manual to find out how to connect your acoustic guitar to Bluetooth might deter some traditionalists, but there is treasure to be found for the adventurous
5 mins
January 2025
Guitarist
CONTROL SHIFT
The XS-100 and XS-1 pitch shifters set out to give modern players dominion over the wildest effect on the pedalboard. Boss's Matt Knight tells us more
7 mins
January 2025
Guitarist
The King's Head
The bombastic benchmark of the 'brown' sound has been channelled through a singleended EL34 power section and hybrid preamp, with significant volume and price savings
4 mins
January 2025
Guitarist
Fretbuzz
A monthly look at must-hear artists from all corners of the guitar world, from the roots of their sound to the tracks that matter most
2 mins
January 2025
Guitarist
Go Getter
Blackstar's palm-sized audio interface is a godsend for players who want better audio on their phone-recorded videos
2 mins
January 2025
Guitarist
FLOOR AMPS & MULTI-EFFECTS
This year's new tech puts a world of effects at your feet
1 mins
January 2025
Guitarist
Affordable Flight
With plenty already in the line-up, Gretsch has released a new range of both Electromatic and Streamliner Jets that appear modern- aimed and very affordable. What's new?
4 mins
January 2025
Guitarist
DELAY & MODULATION EFFECTS
Electro-mechanicals revisited, analogue modulation refined and esoteric ambiences combined
1 mins
January 2025
Guitarist
1967 Gibson Barney Kessel
This isn't a guitar I would normally choose for an article, but I think it demonstrates just how extreme Gibson's custom division was prepared to get in order to make a customer happy back in the day.
3 mins
January 2025
Translate
Change font size
