Prøve GULL - Gratis

THE NEXT STAGE

Guitarist

|

February 2021

Ciaran McNally learned his craft at Lowden and helped take Atkin to greater heights. Now building guitars under his own name, he explains how he used lockdown to design a touring acoustic for Irish virtuoso Shane Hennessy

- Jamie Dickson

THE NEXT STAGE

There are many fine acoustic luthiers out there – but you’d be hard-pressed to find many who have the breadth of contrasting experience that Armagh-based guitar maker Ciaran McNally possesses. A protegé of George Lowden and then a key member of the Atkin Guitars team, Ciaran has worked on, by his estimate, several thousand guitars over the years, most of which were finely crafted, high-end instruments. But it all started out much more simply, he recalls: “I started making kits when I was 15/16 years old, and that was just on the kitchen table at home…

“The story goes that I wrecked the kitchen table so much that my mum had to refinish it,” he continues. “She was better at finishing than I was back then [laughs]. So they were just parts casters that you put together, but that naturally progressed to where I thought, ‘Well, I’m not sure I really want to buy the parts anymore, I really want to make them.’

“So I went to a college in Belfast that did an evening course in instrument-making run by an ex-Avalon luthier. People did make various instruments there, though the vast majority of them were acoustic steel-strings. But I went with the intention of making a Les Paul copy. The tutor, Sam, told me, ‘Most people make acoustics and, if you want, you could do an acoustic and you’d probably find a lot of the skills are transferable. You could probably even make an electric at the same time or in your own time.’

“So I started on an acoustic. I was quite into Eric Clapton at the time, so I did a copy of a triple-0 Martin. And I’ve never made an electric guitar since! I really just got totally hooked.”

FLERE HISTORIER FRA Guitarist

Guitarist

Guitarist

GEAR of The YEAR

THE BEST GUITARS, AMPS & PEDALS OF 2025

time to read

4 mins

January 2025

Guitarist

Guitarist

All Aboard

Reading a manual to find out how to connect your acoustic guitar to Bluetooth might deter some traditionalists, but there is treasure to be found for the adventurous

time to read

5 mins

January 2025

Guitarist

Guitarist

CONTROL SHIFT

The XS-100 and XS-1 pitch shifters set out to give modern players dominion over the wildest effect on the pedalboard. Boss's Matt Knight tells us more

time to read

7 mins

January 2025

Guitarist

Guitarist

The King's Head

The bombastic benchmark of the 'brown' sound has been channelled through a singleended EL34 power section and hybrid preamp, with significant volume and price savings

time to read

4 mins

January 2025

Guitarist

Guitarist

Fretbuzz

A monthly look at must-hear artists from all corners of the guitar world, from the roots of their sound to the tracks that matter most

time to read

2 mins

January 2025

Guitarist

Guitarist

Go Getter

Blackstar's palm-sized audio interface is a godsend for players who want better audio on their phone-recorded videos

time to read

2 mins

January 2025

Guitarist

Guitarist

FLOOR AMPS & MULTI-EFFECTS

This year's new tech puts a world of effects at your feet

time to read

1 mins

January 2025

Guitarist

Guitarist

Affordable Flight

With plenty already in the line-up, Gretsch has released a new range of both Electromatic and Streamliner Jets that appear modern- aimed and very affordable. What's new?

time to read

4 mins

January 2025

Guitarist

Guitarist

DELAY & MODULATION EFFECTS

Electro-mechanicals revisited, analogue modulation refined and esoteric ambiences combined

time to read

1 mins

January 2025

Guitarist

Guitarist

1967 Gibson Barney Kessel

This isn't a guitar I would normally choose for an article, but I think it demonstrates just how extreme Gibson's custom division was prepared to get in order to make a customer happy back in the day.

time to read

3 mins

January 2025

Translate

Share

-
+

Change font size