Enter The Matrix

Artist Liu Wei presents unsettling visions of our world, but says it’s up to us whether they come true

- Oliver Giles

Chinese artist Liu Wei has spent the past few months thinking about the future—and it looks bleak. “Everything in our lives is mediated by screens now,” he says, fittingly speaking over a video call from his studio in Beijing. “It was happening before, but it has been accelerated by the pandemic. The way we use our senses is changing. I think the body will disappear, eventually.” Hands will wither. Legs will shrink. Our brains will be plugged into a universal supercomputer. “It will be like The Matrix,” says Liu. “Then we will lose emotion; affection will disappear.”

He pauses, looks away from the camera. “Maybe our previous definition of love will disappear. But there will be something new, a new kind of affection.”

This U-turn from despair to optimism will not surprise anyone familiar with his work. For more than two decades, Liu, 48, has been examining the forces that shape and shake societies, then packaging his unnerving conclusions into thought-provoking and often beautiful artworks. His most famous paintings feature China’s vertiginous cities rendered in abstract strips of vivid colour. Some critics suggest the bright hues evoke a sunset; others say they represent the suffocating, colour-warping pollution that blankets many Chinese towns. The duality is deliberate. “My art is never to provide answers,” Liu has previously said. “It’s rather to pose a question.”

Last year Liu puzzled plenty of gallery-goers at two major shows: his first retrospective in the US, jointly hosted by the Cleveland Museum of Art and the Museum of Contemporary Art Cleveland, and