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Voices
Harper's BAZAAR - US
|April 2022
Musician and composer Jon Batiste and Juilliard dance director Alicia Graf Mack on reinventing spaces and institutions in the arts
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Over the past decade, Jon Batiste, the virtuoso musician, composer, and Juilliard graduate who since 2015 has served as bandleader on The Late Show With Stephen Colbert, has marched to the beat of his own improvisational drummer. Born into a legendary New Orleans musical family, Batiste grew up steeped in jazz, blues, gospel, and R&B, but his tastes run wide. His most recent album, 2021's We Are, explores a range of influences and genres while also tapping into the tenor and tension of a historical moment when culture and identity, race and reckoning, and the personal and political have all become inextricably bound. In the late spring and early summer of 2020, as the Covid-19 pandemic entered its first peak and calls for social justice grew louder, he began performing songs from We Are, as well as hymnals and protest anthems, by himself at a series of street-side concerts in Brooklyn. The 35-year-old Batiste is nominated for 11 Grammy awards this month, including eight for We Are and three more for his Oscar-winning score for the Disney-Pixar animated film Soul. On May 7, Batiste is also scheduled to perform at Carnegie Hall to debut American Symphony, a tribute to Duke Ellington, James Reese Europe, Mahalia Jackson, Nina Simone, and other Black musical giants who have graced the venue's stage.

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FLERE HISTORIER FRA Harper's BAZAAR - US
Harper's BAZAAR - US
Wildest DREAMS
There's never been a better time to go on SAFARI, with CAMPS that prioritize CONSERVATION delivering ONCE-in-a-LIFETIME experiences
2 mins
November 2025
Harper's BAZAAR - US
On PERFORMANCE
I met Cynthia Erivo over 10 years ago, when she first moved from London to New York and ended up becoming my neighbor. I always knew she would go on to do amazing things, and I can think of no one more fitting to celebrate on the cover of our Performance issue, as audiences gear up to take her in as Elphaba once more in Wicked: For Good. I have always been struck by the way Erivo can come off as both delicate and larger than life—or, as Jazmine Hughes writes in her cover story, “able to put both her strength and her softness on display.” This manifests in the photos too, shot by Cass Bird and styled by Yashua Simmons, portraying a performer at the peak of her powers, glamorous and self-assured and vulnerable all at once.
2 mins
November 2025
Harper's BAZAAR - US
Holding THE STAGE
DEREK C. BLASBERG talks to comedian and writer JULIO TORRES and playwright JORDAN TANNAHILL about the POWER of WORDS, how PERFORMANCE can be an act of DEFIANCE, and the importance of telling QUEER stories in REPRESSIVE (and REGRESSIVE) times
6 mins
November 2025
Harper's BAZAAR - US
LIGHT Show
LASER TREATMENTS have gotten so ADVANCED, there's now a LIGHT-BASED option for every skin GOAL and TONE. Ahead, the EXPERT GUIDE to the latest and greatest TECHNOLOGIES for RADIANT, SMOOTH skin-NO NEEDLES or scalpels required.
5 mins
November 2025
Harper's BAZAAR - US
WHY DON'T YOU...?
As we celebrate the POWER of PERFORMANCE this month, LYNETTE NYLANDER implores you to CHANNEL the GREAT DIVAS, past and present, in your daily ROUTINE. As SHAKESPEARE wrote, all the WORLD'S a STAGE!
2 mins
November 2025
Harper's BAZAAR - US
Who Gets to Be PREPPY?
The style once RESERVED for the PRIVILEGED few is now UBIQUITOUS, open to broad INTERPRETATION, and ACCESSIBLE to ALL
6 mins
November 2025
Harper's BAZAAR - US
CYNTHIA ERIVO Is Unstoppable
CYNTHIA ERIVO has always been a ONCE-IN-ALIFETIME PERFORMER with a VOICE for the AGES. Now, she's a STAR for them too.
10 mins
November 2025
Harper's BAZAAR - US
Leaps & BOUNDS
MISTY COPELAND transformed the DANCE WORLD during her 25 years with the American Ballet Theatre. Now she's RETIRING from the only company she's ever known-but she's still RAISING the BAR.
10 mins
November 2025
Harper's BAZAAR - US
DWANA SMALLWOOD, NOVEMBER 2000
“A GREAT DANCER uses movement as a poet uses words. The grandest and slightest gestures—a head thrown back, a leg held high—illuminate the spirit and the heart.” That was how writer Elizabeth Kaye described the art of dance in an essay that accompanied a portfolio titled “Fast Company” in the November 2000 issue of Harper’s Bazaar. Photographed by Patrick Demarchelier, the story showcased six performers who were making their mark on the dance world at the turn of the 21st century—among them, Alvin Ailey American Dance Theater principal Dwana Smallwood.
1 min
November 2025
Harper's BAZAAR - US
SHABOOZEY
Introducing This Issue's MUSIC DIRECTOR
1 min
November 2025
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