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See Me, Feel Me, Touch Me (Again)

Stereophile

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August 2017

Once it was a cherished ritual: come home from the record store, tear off the cellophane, drop the needle, and lose your self in the artwork, the liner notes, the smell of the jacket’s freshly glued seams.

- Robert Baird

See Me, Feel Me, Touch Me (Again)

Okay, maybe the glue-sniffing thing was my own particular obsession, but anyone who’s ever bought and played new LPs remembers that the packaging was an integral part of the experience. Even the inner record sleeve was a canvas for artwork. Then there were the inserts and other assorted tchotchkes—posters, paper mustaches, and, in one case, a pair of ladies’ panties stretched across the record.

With CDs, the tactile side of enjoying an album was more or less lost. While CD booklets retained the artwork, albeit in miniature, it was never quite the same. One of the welcome side benefits of the return of vinyl has been the return of LP jackets, and no one does it better than Stoughton Printing Co., in the City of Industry, in the San Gabriel Valley, just east of Los Angeles.

FLERE HISTORIER FRA Stereophile

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ICONS AND INNOVATORS AT DEFINITIVE AUDIO

Definitive Audio in Bellevue, Washington, near Seattle—one of the premier dealerships in the Pacific Northwest—continued its 50th anniversary celebration with an event it called “Icons and Innovators.” Highlighted by showings of the new JBL Everest series and Bowers & Wilkins Nautilus and 801 Abbey Road edition loudspeakers, the event drew a full house to the first of two sessions.

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Touched-up Beatles and Ringo in color

Opinions vary, but like everything connected to The Beatles, charged arguments over Giles Martin's ongoing remastering of, and sonic tinkering with, the band’s hallowed recording catalog are unending.

time to read

3 mins

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Traveling through time and space

In the April 2024 issue of this magazine, a piece by Editor Jim Austin appeared in the “As We See It” space. It was titled “On assessing sonic illusions,” and it has haunted me for more than a year. Jim’s thesis was that a music recording is a “synthetic, whole-cloth creation ... a complete fabrication.” He writes: “Very few recordings correspond to an actual performance. Most are studio concoctions with pieced-together instrumental tracks and artificial ambience that document no sonic event that ever occurred.”

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4 mins

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EgglestonWorks Andra 5

Big loudspeakers are where diligent hi-fi reviewers really earn their pay.

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16 mins

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RECORD REVIEWS

Why award Recording of the Month to a project whose vocal soloists, though thoroughly committed, are in some respects less than ideal?

time to read

3 mins

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Doshi Audio Evolution Stereo

Nick Doshi is cautiously reserved when he talks about his amplifiers, preferring to let the products speak for themselves.

time to read

14 mins

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Sticking with it

David and Alma Wilson must be doing something right. They’ve been married for 50 years, and for 36 years, they’ve owned and operated Accent on Music on Main Street in Mount Kisco, New York, about an hour north of New York City. In a recent, lively Zoom conversation with the Wilsons, it became apparent that staying the course is a viable approach, for marriage and for business.

time to read

4 mins

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Period-style listening

Last night, I sat on a bright yellow velveteen sofa eating red beans and rice while listening for three hours to blues and jazz from rare 78rpm records. I walked out feeling gospel-level raised up, with a head full of dreams and cultural memories.

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CH Precision L10

TWO-CHASSIS LINE PREAMPLIFIER

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16 mins

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Rock don't give a shit, you know

Punk rock was never meant to grow old. For their first three studio efforts, The Replacements epitomized the punk ethos. Sorry Ma, Forgot to Take Out the Trash (1981), the EP Stink (1982), and Hootenanny (1983) are loud, bashy fun.

time to read

3 mins

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