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LOVE ON THE RUN

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Fall #165, 2020

LOVE, BULLETS, AND THE OPEN ROAD. CRIMINAL COUPLES ON THE RUN ARE A HOLLYWOOD MOVIE STAPLE—AND IT’S ALL DUE TO A PAIR OF DEPRESSION-ERA HELLRAISERS.

- Pat H. Broeske

LOVE ON THE RUN

It was 90 years ago that Bonnie Parker chanced to meet Clyde Barrow at a family gathering. As a result of that

January 1930 encounter and what followed as they crisscrossed the central US, filmmakers have rolled out the metaphorical red carpet for gun-toting lovers, real and fictional.

Why? “Criminal couples provide a level of entertainment lacking in men committing crimes on their own,” says Jeff Guinn, author of the authoritative Go Down Together: The True, Untold Story of Bonnie and Clyde (2009). Adds Guinn, “The added element of romance (and also the very titillating possibility of a good-girl-gone-bad subplot) elevates our voyeurism from enjoying crime stories to a sense of more multi-dimensional drama.”

Add to this the notion of being on the move, and the drama amps up.

We’ve rounded up 10 of the screen’s greatest outlaw couples (while acknowledging a few escapees, due to constraints of time and spac).

YOU ONLY LIVE ONCE (1937)

We begin with the film that defined the genre: In this indictment of societal injustice, repeat offender Eddie Taylor (a young Henry Fonda) is trying to go straight—but the odds are against him and his sweet-faced wife, Joan (Sylvia Sidney).

Linked to a deadly bank robbery, Eddie is sentenced to be executed. When he gets hold of a gun smuggled into the prison, he kills a priest—the only man who believed in him. “They made me a murderer. I can’t beat this rap,” he tells Joan.

She won’t let him flee without her. “We’re going on together. We have a right to live.”

Directed by Fritz Lang (whose

FLERE HISTORIER FRA Mystery Scene

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6 New Writers to Watch

Wiley Cash’s debut, A Land More Kind Than Home, about the bond between two brothers landed on the New York Times Best Sellers List and received the Crime Writers’ Association Debut of the Year.

time to read

10 mins

Fall #169, 2021

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ANN CLEEVES

British author Ann Cleeves has an affinity for remote areas and how these isolated regions affect her characters.

time to read

16 mins

Fall #169, 2021

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CARLENE O'CONNOR

“Anyone can play Snow White. It takes real talent to play the Wicked Witch.”

time to read

8 mins

Fall #169, 2021

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FIRST USE OF FINGERPRINTS

time to read

3 mins

Fall #169, 2021

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PANIC ATTACK

The newest entry in my Pittsburgh set series of thrillers is called Panic Attack. It’s the sixth book featuring Daniel Rinaldi, a psychologist and trauma expert who consults with the Pittsburgh Police.

time to read

2 mins

Fall #169, 2021

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LAIDLAW'S LEGACY

During the pandemic, Ian Rankin stepped away from Rebus and into the shoes of friend and literary hero, the “Godfather of Tartan Noir” William McIlvanney.

time to read

13 mins

Fall #169, 2021

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HILARY DAVIDSON

Call it The Case of Life Imitating Art.

time to read

7 mins

Fall #169, 2021

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Thomas Walsh - The Unusual Suspect

Any paternity test on the sub-genre of police procedural will identify the DNA of Ed McBain and Lawrence Treat, as well as the 1948 movie The Naked City and the radio and TV series Dragnet…and of course Thomas Walsh.

time to read

6 mins

Fall #169, 2021

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S.A. COSBY

In Razorblade Tears, two aging men—one Black, one white, both with criminal pasts—join forces to seek revenge for the murders of their gay sons. The themes of fathers and sons and toxic masculinity will be familar to fans of Cosby’s 2020 breakout Blacktop Wasteland.

time to read

10 mins

Fall #169, 2021

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VIPER'S NEST OF LIES

A slip of the tongue is a dangerous thing. Not only does it expose indiscretions, it also can lead to murder. The latter especially applies to me.

time to read

2 mins

Fall #169, 2021

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