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Marvelous Margot

Vanity Fair US

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December 2022 - January 2023

This season, Margot Robbie is set to dazzle as a silent movie star in Damien Chazelle's Babylon, and next year as a Barbie for the 21st century in Greta Gerwig's highly anticipated movie, which she's also producing. She opens up about her story-and Hollywood's

- By Rebecca Ford. Photographs by Mario Sorrenti

Marvelous Margot

Margot Robbie wants to take me to New York. We're on the Paramount lot in Los Angeles, and she's giving me a walking tour of some places they shot Babylon, her upcoming movie about the vertiginous swirl that was Hollywood in the late 1920s. We're about to enter the New York back lot-faux neighborhoods used as stand-ins for various cities-when a security guard stops us with an "Excuse me, where are you heading?" We try saying "that way" and walk like we own the place. The guard isn't buying it. He asks what production we're with. This is where I expect my tour guide to say, "I'm Margot Robbie." Instead, she mumbles something about being with Babylon and "doing some post." Then her voice trails off. The security guard clearly doesn't recognize that standing in front of him is the Australian actor who brought Harley Quinn to life and was nominated for an Oscar for playing Tonya Harding. He tells us we have to get off the set because somebody's shooting. Robbie politely agrees. She laughs as we round the corner. "I should have a better cover story," she says. "You'd think I'd be better at that.' I actually have a hard time believing that Robbie runs up against hard nos very often. Not because of her looks-she's stunning, yes, that song's been sung ad nauseam-but because of the stories I've heard about her tenacity. Her first big job, on the Australian soap opera Neighbours, was supposed to be a guest stint, but she made such an impression that they kept her for three years. Robbie got her breakout role in The Wolf of Wall Street in part because she had the chutzpah to slap Leonardo DiCaprio during the audition. And she wrote an unsolicited letter to Quentin Tarantino saying she hoped to work with him one day, eventually finding herself on the set of Once Upon a Time...in Hollywood.

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Vanity Fair US

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In Hollywood's golden age, studios turned regular men into secular gods: changing their names, hiding their flaws. But now, writes OTTESSA MOSHFEGH, the era of the remote matinee idol is over-and the dawn of the almost approachable, appealingly authentic modern actor is in full swing. Meet the new class of leading men

time to read

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Vanity Fair US

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Once upon a time, going out in Hollywood was actually fun. DEREK C. BLASBERG lifts the velvet rope for an oral history of LA nightlife in the 2000s as told by the insiders who made it happen

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Vanity Fair US

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Even newspapers can have Hollywood ambitions. As the New York Post colonizes Los Angeles, its editors reveal big future plans, and, as LACHLAN CARTWRIGHT reports, onlookers are welcoming the California news wars

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Vanity Fair US

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MIDCENTURY MAISON

For years, Nicolas Ghesquière had one very special West Hollywood house on his mood board. PAUL GOLDBERGER tours the property—newly restored by the designer and his partner, Drew Kuhse—that is now the couple's American home base

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Vanity Fair US

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World on Fire

OLIVIA NUZZI was a star political correspondent until scandal led her into exile—and to a California up in flames. In an excerpt from American Canto, our West Coast Editor takes stock of scorched earth

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Vanity Fair US

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RUTH E. CARTER

Ryan Coogler's go-to costume designer—the two-time Oscar winner who breathed life into Spike Lee's earlier masterpieces and conjured up Black Panther's signature style—on taking a seminal trip to Egypt, wearing status pajamas, and telling her doctor little white lies

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Vanity Fair US

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VERA PAPISOVA spends the day with Hollywood's new in-demand accoutrement: a blood concierge

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Vanity Fair US

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THE ELEPHANT IN THE ROOM

Hollywood knows AI is a profound technology bound to be transformative, and also bound to replace humans. It's all anyone can talk about in private, at parties, on location. With the town on edge, TOM DOTAN plumbs the industry's anxiety and hope

time to read

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Vanity Fair US

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How to Win an Oscar—or Go Broke Trying

Awards season, an annual circus of consultants and events, is awash in money. Nearly everyone involved seems to tolerate this at best. So why does Hollywood keep doing it? JOY PRESS looks for answers

time to read

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Vanity Fair US

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37 HOURS IN HOLLYWOOD

From a dawn run for Erewhon smoothies to sunset on Hollywood Boulevard, with stops in London, Paris, Nashville, and New York, Vanity Fair invites you to ramble and roam the corridors of a global industry at a crossroads.

time to read

8 mins

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