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Atsuko All the Way

Vanity Fair US

|

November 2023

Thanks to her singular energy and her many viral videos-not to mention her trademark bowl cut, which inspires fans to buy wigs for her shows-Atsuko Okatsuka has become one of the most beloved stand-up comics around

- By Devin Gordon. Photographs by Mark Seliger

Atsuko All the Way

HAVE YOU EVER seen a Japanese reality show called Old Enough? Smash hit for decades that became a popular late-pandemic binge on Netflix here in the US. The gist is parents send their adorable toddlers out into the grown-up world to run a series of simple errands-pick up vegetables from the store, deliver a letter to a friend and a camera crew tracks them from an extremely safe distance so we can watch what happens. It's the best show ever made. Better than The Sopranos. The kids get distracted so easily, they make wrong turns, they stop to tell strangers about their friend who's a frog. On average they complete two out of three errands.

Atsuko Okatsuka, the stand-up comic, identifies with those kids so much that she made a spoof of it last year for the Netflix Is a Joke comedy festival in Los Angeles. In her version, Arsenio Hall sends her out onto the streets to return a friend's notebook-"Oh, she needs that!"-and pick up her festival swag bag, and take a selfie with a famous celebrity. "It should be easy for a grown comedian," says the Japanese narrator. It's not. She manages to complete the first two tasks but the last one is too hard. She winds up snapping a photo with a tourist who looks like Timothée Chalamet.

"I feel confident she's friends with leprechauns," says Tig Notaro, Atsuko's close friend and fellow comic, who directed her breakout 2022 HBO special, The Intruder. "But she wouldn't even realize she was talking to a leprechaun."

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In Hollywood's golden age, studios turned regular men into secular gods: changing their names, hiding their flaws. But now, writes OTTESSA MOSHFEGH, the era of the remote matinee idol is over-and the dawn of the almost approachable, appealingly authentic modern actor is in full swing. Meet the new class of leading men

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For years, Nicolas Ghesquière had one very special West Hollywood house on his mood board. PAUL GOLDBERGER tours the property—newly restored by the designer and his partner, Drew Kuhse—that is now the couple's American home base

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OLIVIA NUZZI was a star political correspondent until scandal led her into exile—and to a California up in flames. In an excerpt from American Canto, our West Coast Editor takes stock of scorched earth

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Hollywood knows AI is a profound technology bound to be transformative, and also bound to replace humans. It's all anyone can talk about in private, at parties, on location. With the town on edge, TOM DOTAN plumbs the industry's anxiety and hope

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Awards season, an annual circus of consultants and events, is awash in money. Nearly everyone involved seems to tolerate this at best. So why does Hollywood keep doing it? JOY PRESS looks for answers

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37 HOURS IN HOLLYWOOD

From a dawn run for Erewhon smoothies to sunset on Hollywood Boulevard, with stops in London, Paris, Nashville, and New York, Vanity Fair invites you to ramble and roam the corridors of a global industry at a crossroads.

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