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Natalie Clein
The Strad
|April 2017
For the british cellist, Schubert's profound string quintet in C major D956 is filled with undiscovered secrets that can take a lifetime to unravel.
I’ve played the Schubert Quintet around 25 times on stage and I adore it. It’s a piece that has everything: it feels like a search for absolute truth, beauty and purity, although it also has a very earthy character to it. I nearly always choose to play the second cello part, which is beautifully written. Schubert effectively turns the first cello into an extra tenor voice and adds this incredible lower bass part, which I think is the heart of the piece; it’s so exciting to be right at the bottom of this incredibly profound story. It’s a piece that’s full of secrets and as I’ve grown older and more familiar with the Quintet, some of those secrets have revealed themselves – but there are so many more to be discovered.
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FLERE HISTORIER FRA The Strad
The Strad
Turkish Delights
Fewer than 20 years after its foundation, the Borusan Istanbul Symphony Orchestra is taking its place on the world stage. Tom Stewart finds out more as the ensemble – and two top soloists – prepare for a new season and a European tour
5 mins
January 2018
The Strad
A Landmark Celebration
Running from 8 to 29 October, the Beijing Music Festival celebrated its 20-year milestone in 2017. Nancy Pellegrini looks at two of the event’s highlights: the ten-hour orchestral marathon and violinist Maxim Vengerov’s world premiere
5 mins
January 2018
The Strad
Dual Inspiration
Cellist Sol Gabetta recalls the genesis of her new recording, a collaboration with mezzo-soprano Cecilia Bartoli – and how their disparate talents played offeach other
5 mins
January 2018
The Strad
Jean-Guihen Queyras
For the French cellist, Haydn’s Concerto no.1 in C major brings back fond memories of an early tutor and a precious Rogeri cello
3 mins
January 2018
The Strad
Freedom Of Expression
In the run-up to Germany's federal election in September, freelance music teachers are campaigning to be treated the same way as full-time professors - but the drive for recognition is proving a struggle.
4 mins
April 2017
The Strad
‘Solo Playing Is Essential To The Identity Of The Section'
For berlin philharmonic first principal bassist matthew McDonald, the search to find his voice as a player has been inextricably entwined with the sound of the orchestra and its emphasis on individualistic playing. In converstion with Chole Cutts, he discusses the elusive processes behind his approach to his instrument.
9 mins
April 2017
The Strad
Adventures in Repertoire
Three decades as artistic director of the Australian Chamber Orchestra have taught Richard Tognetti that necessity is the mother of invention, and invention is essential to the health of classical music. Chloe Cutts meets the Antipodean violinist in Sydney to talk commissions, modern string playing and the survival of contemporary repertoire
9 mins
March 2017
The Strad
Luthier ​​​​​​​Borja Bernabeu
I ’ve been based in Cremona for almost 20 years; I came for a visit and just stayed on.
1 mins
March 2017
The Strad
Mutual Understanding
A competition where the participants judge each other’s instruments makes for a lively, engaging atmosphere. Jan Špidlen, co-organiser of the International Violin Making Competition Prague, reports.
5 mins
September 2017
The Strad
From The Ground Up
Since time immemorial, makers have searched for the perfect varnish recipe, and take great care of the ground – but often fail to realise the importance of preparing the wood first. Christopher Jacoby gives a crash course in ‘ground prep’
5 mins
September 2017
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