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The Wild Dyery

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Autumn 2017

e-Learning Natural Dyes New Technologies Meet Tradition

 

The Wild Dyery

Justine Aldersey-Williams is textile designer and teacher specialising in natural fabric dyeing at The Wild Dyery. She runs live and online workshops from her base on the Wirral peninsula in North West England where she lives with her husband, two teenagers and two dogs.

Tell us about The Wild Dyery, what happens and what is created every day in your studio?

This year has so far been very different to last year when I was running a pop-up studio for six months. In 2016, my average day would involve foraging for plants from my dye garden before creating textiles to sell in the shop and online whilst preparing for monthly workshops teaching organic indigo dyeing, shibori and eco printing. This was combined with spreading the word about sustainable textiles to the many visitors who would pop in on a daily basis and collaborating with like-minded creative working with natural materials.

This year, I’ve developed all my live workshops into a three module online training called ‘Natural Fabric Dyeing: Eco Colour, Print and Pattern’. This is the first home-study training to take people from the foundational skills needed to create a rainbow of colours from just three plants, to safely foraging for plants to eco print onto fabric, to developing unique surface pattern designs using traditional printing techniques like screen printing, block printing, jelly printing etc. with plant dyes.

So 2017 has seen me diversify my roles, not only being a natural dye teacher but a writer, web developer, graphic designer, photographer, promoter, videographer, presenter etc. as I created the training site myself, without any help – which was a very steep learning curve!

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Botanical Colors

Silicon Valley Tech Executive Becomes Dyestuff Trader

time to read

3 mins

Autumn 2017

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The Wild Dyery

e-Learning Natural Dyes New Technologies Meet Tradition 

time to read

5 mins

Autumn 2017

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The Ethical Fashion Of ZaraMia Ava

“Sustainable luxury produced with zero waste. Made for the fashion conscious with a conscience”

time to read

2 mins

Autumn 2017

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Diary

ARTESANÍAS ROSAS T’IKA: Reclaiming typical natural dyes of the Charca people

time to read

2 mins

Autumn 2017

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The Rooftop Dye Garden: “The Streets Of Amsterdam Are Covered In The Most Beautiful Colours”

Elin de Jong (elin WANDERLüST) writes about her mission to research the history of colour from old plant books, common knowledge we seem to have lost. She also tells us about her quest to create a ‘magical’ rooftop dye garden in her native city of Amsterdam in the Netherlands.

time to read

3 mins

Spring 2017

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Off To School In The Forest

A Trip To The Bosco Didattico (Educational Forest) In The Ciminian Forest

time to read

2 mins

Spring 2017

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A Weekend Away In The English Countryside: The Whichford Pottery

When whichford pottery hosted eco printer caroline nixon’s exhibition (no serial number autumn issue 2016) in their shop area, i was invited along, shown around and knew immediately i wanted to feature it in our spring issue! Situated in the most picturesque and midsomer murders type of british countryside they told me their story:

time to read

2 mins

Spring 2017

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Cork: Much More Than A Stopper

A story told by Luisa Pitadas. 

time to read

3 mins

Autumn 2017

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Ceramic Patchwork: A Textile Process In A Ceramic Form

Zoë Hillyard is an artist that grew up in a family where make do and mend was the norm. In her interview with No Serial Number Magazine, she recalled the times when she used to visit jumble sales and car-boot sales and when even a visit to the ‘tip’ would yield treasures from discarded stuff. We interviewed Zoë to find out about her Ceramic Patchwork technique and ended up learning a lot about her journey through her textile design degree, her postgraduate work in development studies, and then her travels. Throughout this journey, she has been incredibly inspired by indigenous cultures and nomadic lifestyles, which led her to explore and pursue simple and functional art forms.

time to read

7 mins

Autumn 2017

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Liquid Vessels Made Of Vintage And Antique Japanese Kanzashi

My mother was the first person I knew to re-purpose something. She taught me to sew when I was about 8 years old and amongst other feats, she effortlessly turned a bed sheet into a set of ruffled curtains for my bedroom. I am fortunate to own the round braided rug that she made about 57 years ago out of Pendleton wool scraps.

time to read

2 mins

Autumn 2017

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