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The Calling
International Artist
|August - September 2021
THE ART OF THE PORTRAIT
The inspiration for this new painting that I am working on for my solo show in December with Arcadia Contemporary is from the work of 19th-century artist, Abbott Handerson Thayer. I have painted winged figures before, and I originally started adding the wings to my figurative portraits to enhance the background designs.
STAGE 1
Once I have the reference I need, I spend a good amount of time working on my reference digitally. I try to have all the problems I will face in the process of painting (design, composition, color, etc.) solved before I put the brush to canvas. In addition, I create a color study (pictured here) which helps me envision how the final painting will look and feel. I keep the color study small, so I do not have to spend much time on it. I find myself constantly referring to my study while painting to check that the overall values and colors are correct to my original concept.

STAGE 2
Denne historien er fra August - September 2021-utgaven av International Artist.
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FLERE HISTORIER FRA International Artist
International Artist
Marshland Glow
Through glazing and scumbling, oil painter Karen Murphy manipulates her medium to create atmospheric landscapes
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Quiet Rhythm
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To the Point
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Change Up
Primarily a watercolor artist, Heidi Willis breaks down her approach to working with a new medium
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Form and Space
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International Artist
The Texture of Time
Bennett Prize winner Amy Werntz create works of art that celebrate the beauty that only comes with age
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International Artist
Pattern making
My painting process is predominantly intuitive.
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International Artist
The Big Picture
Tony Thielen paints bold, expressive scenes by starting with the biggest shapes, then working toward the finer details
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International Artist
Fluid Fusion
Pigments merge and create subtle gradients in Ian de Hoog's traditional wet-in-wet approach
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International Artist
MAKING MOVES
How to pitch your work to the press
4 mins
August/September 2025
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