Prøve GULL - Gratis
Still Life Secrets
Artists & Illustrators
|Summer 2017
From Being Kind to Your Brushes to Picking the Perfect Colour Palet Te, Artist James Gillick Answers Your Queries to Help You Get Great Results
-
How important is a painting’s background to creating a successful still-life scene?
Backgrounds are important, but the decision artists need to make about them is simple. It is: do you want a context for your subject or don’t you? A background that contextualises your subject places it in a set location and time; a background that does not contextualise elevates the subject of a painting into a type of sacred object.
Are there brushes you would recommend?
Brushes should match your brushstroke and your medium. A longer-hair for a long stroke and a short-hair brush for a strong, stubby stroke. For sable brushes, I would opt for Rosemary & Co: you get quick, economical delivery of an excellent range of sables from a great catalogue. For hog hair, I use Pro Arte Series A long filberts.
What colour palette do you use?
Denne historien er fra Summer 2017-utgaven av Artists & Illustrators.
Abonner på Magzter GOLD for å få tilgang til tusenvis av kuraterte premiumhistorier og over 9000 magasiner og aviser.
Allerede abonnent? Logg på
FLERE HISTORIER FRA Artists & Illustrators
Artists & Illustrators
Still life IN 3 HOURS
Former BP Portrait Award runner-up FELICIA FORTE guides you through a simple, structured approach to painting alla prima that tackles dark, average and light colours in turn
5 mins
March 2022
Artists & Illustrators
Movement in composition
Through an analysis of three masterworks, landscape painter and noted author MITCHELL ALBALA shows how you can animate landscape composition with movement
6 mins
March 2022
Artists & Illustrators
Shane Berkery
The Irish-Japanese artist talks to REBECCA BRADBURY about the innovative concepts and original colour combinations he brings to his figurative oil paintings from his Dublin garden studio
7 mins
March 2022
Artists & Illustrators
The Working Artist
Something old, something new... Our columnist LAURA BOSWELL has expert advice for balancing fresh ideas with completing half-finished work
2 mins
March 2022
Artists & Illustrators
Washes AND GLAZES
Art Academy’s ROB PEPPER introduces an in-depth guide to incorporating various techniques into your next masterpiece. Artwork by STAN MILLER, CHRIS ROBINSON and MICHELE ILLING
7 mins
March 2022
Artists & Illustrators
Hands
LAURA SMITH continues her new four-part series, which encourages you to draw elements of old master paintings, and this month’s focus is on capturing hands
7 mins
March 2022
Artists & Illustrators
Vincent van Gogh
To celebrate The Courtauld’s forthcoming landmark display of the troubled Dutch master’s self-portraits, STEVE PILL looks at the stories behind 10 of the most dramatic works on display
6 mins
March 2022
Artists & Illustrators
BRING THE drama
Join international watercolour maestro ALVARO CASTAGNET in London’s West End to paint a dramatic street scene
7 mins
March 2022
Artists & Illustrators
Serena Rowe
The Scottish painter tells STEVE PILL why time is precious, why emotional responses to colour are useful, and how she finds focus every day with the help of her studio wall
8 mins
March 2022
Artists & Illustrators
Bill Jacklin
Chatting over Zoom as he recovers from appendicitis, the Royal Academician tells STEVE PILL about classic scrapes in New York and his recent experiments with illustration
8 mins
March 2022
Translate
Change font size
