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ArtAsiaPacific - May - June 2015

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ArtAsiaPacific

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I dette nummeret

In this issue, Guest contributor Ingrid Dudek looks at the ephemeral projects of the Chinese collective Polit-Sheer-Form, comprised of artists Song Dong, Xiao Yu, Hong Hao and Liu Jianhua and dealer-critic Leng Lin. AAP reviews editor Hanae Ko speaks to artist and filmmaker Charles Lim and curator Shabbir Hussain Mustafa, as they prepare to install the Singapore Pavilion at the Venice Biennale. AAP Latin America desk editor Inti Guerrero considers the founding figures of Brazilian modernism by reviewing the influence of Japanese-Brazilian artists in São Paulo. AAP editor-at-large HG Masters discusses the works of Turkish artist Nevin Aladağ, whose multidisciplinary installations explore the hybrid nature of contemporary culture in Europe. Our special column Inside Burger Collection follows Khoj, the influential artists’ association based in South Delhi.
Our Profiles section focuses on some of the curators who are collaborating with artists taking part in this year’s Venice Biennale. The major facilitators include Sheikha Hoor bint Sultan al-Qasimi, who is presenting little-known yet influential figures from the United Arab Emirates; Tate’s Sook-Kyung Lee, who will oversee the Korea Pavilion; Robert Leonard, chief curator of City Gallery, Wellington, New Zealand; and Patrick D. Flores, curator of the Vargas Museum, at the University of the Philippines, and the country’s second exhibition in Venice after a 51-year absence.
In One on One, Japanese artist Koki Tanaka explains his admiration for the politically engaged practice of the late, Cuban-born Félix González-Torres; in Where I Work, AAPgoes to the studio of the Frog King in Hong Kong; and multimedia artist Sutthirat Supaparinya files a Dispatch report from Chiang Mai, Thailand. Reviews include: Ding Yi at ShanghART Gallery, Singapore; Susan Te Kahurangi King at Andrew Edlin Gallery, New York; plus much more.

ArtAsiaPacific Description:

For more than 30 years, ArtAsiaPacific Magazine has been at the forefront of the powerful creative forces that shape contemporary art from Asia, the Pacific and the Middle East. Covering the latest in contemporary visual culture, ArtAsiaPacific is published 6 times a year in Hong Kong, with editorial desks in 25 countries around the world. Our special annual issue, the ArtAsiaPacific Almanac, published in January, covers the major art events of the past year and forecasts the key trends of the year to come.

The dominant artistic influence in the world today - and for many years to come emanates from the vast territory that lies between Turkey and the Pacific island of Tonga that we call the Asia-Pacific. This territory includes India, China, Japan, Australia, Thailand, Pakistan, New Zealand, Korea and Indonesia, whose combined populations make up an amazing half of the world's total population. Also included are Burma, Cambodia, Kiribati and Uzbekistan - places hitherto overlooked, but which like their gigantic neighbors, are producing cutting-edge art of stunning and unexpected quality.

ArtAsiaPacific is authoritative, accurate, even-handed, exact and essential. Included in each issue is an up-to-date directory of the major galleries, not-for-profit organizations and museums with a focus on contemporary art from our geographical footprint. ArtAsiaPacific offers thoughtful reportage, analysis, comment and criticism to its readers made up of collectors, gallerists, curators, artists and those who want and who need to know the latest developments in the fastest-growing and most astonishing region of the contemporary art world.

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