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I dette nummeret

Our Almanac 2015 Volume X ofArtAsiaPacific is now available.
In each edition of the Almanac, now in its tenth year, we provide annual reports about the 67 countries in the region—including Kazakhstan,Mongolia, Sri Lanka and Tonga, among others—and track a year's worth of controversy, scandal, career moves, awards and other major headline news.

We also invite influential art-world figures to reflect on the major cultural events of the past year and the year to come. Ute Meta Bauer, curator and founding director of the Center for Contemporary Art in Singapore, and Aaron Cezar, director of the Delfina Foundation in London, both show how neighboring, like-minded, yet distinctive art communities can generate momentum through convergence. Elsewhere, art scenes can remain stubbornly segregated and marginalized, often fighting for recognition—a situation that Japanese artist and artistic director of the Yokohama Triennale, Yasumasa Morimura, and Australian artist Tony Albert write about poignantly. In their reflections, arts patron Abdelmonem bin Eisa Alserkal from the United Arab Emirates and Jitish Kallat, Mumbai-based artist and Kochi-Muziris Biennale artistic director, speak from the perspective of homegrown pride, particularly the collective efforts to realize something that appears almost insurmountable.
The Five Plus One section, in which our editors select five artists who have made a significant impact in 2014 and one who promises to do so in 2015, features profiles of artists as varied in outlook as Xu Bing, Gülsün Karamustafa, FX Harsono, Sheela Gowda,Simryn Gill and Ei Arakawa. The editors also pick the ten best gallery and museum shows of the year, the exhibitions on our radar in 2015, and 12 of our favorite books.

ArtAsiaPacific Description:

For more than 30 years, ArtAsiaPacific Magazine has been at the forefront of the powerful creative forces that shape contemporary art from Asia, the Pacific and the Middle East. Covering the latest in contemporary visual culture, ArtAsiaPacific is published 6 times a year in Hong Kong, with editorial desks in 25 countries around the world. Our special annual issue, the ArtAsiaPacific Almanac, published in January, covers the major art events of the past year and forecasts the key trends of the year to come.

The dominant artistic influence in the world today - and for many years to come emanates from the vast territory that lies between Turkey and the Pacific island of Tonga that we call the Asia-Pacific. This territory includes India, China, Japan, Australia, Thailand, Pakistan, New Zealand, Korea and Indonesia, whose combined populations make up an amazing half of the world's total population. Also included are Burma, Cambodia, Kiribati and Uzbekistan - places hitherto overlooked, but which like their gigantic neighbors, are producing cutting-edge art of stunning and unexpected quality.

ArtAsiaPacific is authoritative, accurate, even-handed, exact and essential. Included in each issue is an up-to-date directory of the major galleries, not-for-profit organizations and museums with a focus on contemporary art from our geographical footprint. ArtAsiaPacific offers thoughtful reportage, analysis, comment and criticism to its readers made up of collectors, gallerists, curators, artists and those who want and who need to know the latest developments in the fastest-growing and most astonishing region of the contemporary art world.

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