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ArtAsiaPacific - Nov - Dec 2013

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ArtAsiaPacific

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I dette nummeret

ArtAsiaPacific\'s November/December issue includes features on the pioneering Filipino modernist artist Arturo Luz and on the spatial and social practice of Malaysian artist Shooshie Sulaiman. In addition, we continue to get acquainted with the innovations of a new generation of Chinese ink artists. The year-long anniversary project \"20/20\" revisits Australia-based artist Simryn Gill\'s breakthrough in 2000; Etel Adnan\'s color-field-inspired exhibition at Sfeir-Semler gallery in Beirut in 2009; and Afghan video and performance artist Lida Abdul\'s 2005 work, White House. We profile Hong Kong artist Kong Chun Hei on the origins of his meticulous pen-and-ink process; Khadim Ali on the poetics of contemporary Pakistani miniature painting; and the duo behind the Shanghai-based artist collective Birdhead, with their acute observations on everyday space. The slippages between fictional and imaginary narratives in the work of Yasmine Eid-Sabbagh and Rozenn Quéré and the implications of the current expansion of video archives in Asia are explored in essays, while an extensive review section includes an extended examination of the Istanbul Biennial.

ArtAsiaPacific Description:

For more than 30 years, ArtAsiaPacific Magazine has been at the forefront of the powerful creative forces that shape contemporary art from Asia, the Pacific and the Middle East. Covering the latest in contemporary visual culture, ArtAsiaPacific is published 6 times a year in Hong Kong, with editorial desks in 25 countries around the world. Our special annual issue, the ArtAsiaPacific Almanac, published in January, covers the major art events of the past year and forecasts the key trends of the year to come.

The dominant artistic influence in the world today - and for many years to come emanates from the vast territory that lies between Turkey and the Pacific island of Tonga that we call the Asia-Pacific. This territory includes India, China, Japan, Australia, Thailand, Pakistan, New Zealand, Korea and Indonesia, whose combined populations make up an amazing half of the world's total population. Also included are Burma, Cambodia, Kiribati and Uzbekistan - places hitherto overlooked, but which like their gigantic neighbors, are producing cutting-edge art of stunning and unexpected quality.

ArtAsiaPacific is authoritative, accurate, even-handed, exact and essential. Included in each issue is an up-to-date directory of the major galleries, not-for-profit organizations and museums with a focus on contemporary art from our geographical footprint. ArtAsiaPacific offers thoughtful reportage, analysis, comment and criticism to its readers made up of collectors, gallerists, curators, artists and those who want and who need to know the latest developments in the fastest-growing and most astonishing region of the contemporary art world.

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