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ArtAsiaPacific - ArtAsiaPacific Issue 145, Sep/Oct 2025

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I dette nummeret

Art, at its core, is a dialogue with time and its centrality to the human condition. Our 145 issue begins with On Kawara, whose work is a meditation on time itself. For our cover Feature, Louis Lu reflects on the conceptual artist’s recent retrospective at Hong Kong’s Tai Kwun.
Our second Feature focuses on another towering figure: ahead of Lee Bul’s major retrospective at the Leeum Museum of Art in Seoul, Jiwon Yu traces her oeuvre, from her early performances confronting gender and power to her later architectural fantasies.
In Up Close, we look at Lee Kit’s solo show at the Fridericianum in Kassel; Meta Enjelita’s Inner Monologue (2025) at ArtJog in Yogyakarta; and Do Ho Suh’s Nest/s (2024) at London’s Tate Modern.
For Inside Burger Collection, Nick Yu sits down with Sam Bardaouil and Till Fellrath, co-directors of Hamburger Bahnhof. In Profiles, Junni Chen talks with Sheikha Hoor Al-Qasimi about her curatorial approach as she embarks on the Aichi Triennale and the Biennale of Sydney, while Patricia Chen met with Indonesia’s Natasha Sidharta to discuss how the Jakarta-based art patron has quietly supported her country’s trailblazing artists.
Xintian Tina Wang files a Dispatch from New York, examining its cultural ecosystem’s adaptation and resiliency amid the Trump administration’s cuts to arts funding. Ryan Su’s essay explores sociocultural interpretations of intellectual property in Asia, contemplating whether Dafen art village and shanzhai counterculture have led to the democratization of art. As the art market deflates, Won Jae Park argues in The Point for reclaiming art’s soul and restoring its transformative essence.
As you immerse yourself in this issue, we hope you find inspiration in how artists challenge who we are and how we experience the world. Their works remind us that art offers ways of navigating our dynamic realities and of envisioning new ways of living together.

ArtAsiaPacific Description:

For more than 30 years, ArtAsiaPacific Magazine has been at the forefront of the powerful creative forces that shape contemporary art from Asia, the Pacific and the Middle East. Covering the latest in contemporary visual culture, ArtAsiaPacific is published 6 times a year in Hong Kong, with editorial desks in 25 countries around the world. Our special annual issue, the ArtAsiaPacific Almanac, published in January, covers the major art events of the past year and forecasts the key trends of the year to come.

The dominant artistic influence in the world today - and for many years to come emanates from the vast territory that lies between Turkey and the Pacific island of Tonga that we call the Asia-Pacific. This territory includes India, China, Japan, Australia, Thailand, Pakistan, New Zealand, Korea and Indonesia, whose combined populations make up an amazing half of the world's total population. Also included are Burma, Cambodia, Kiribati and Uzbekistan - places hitherto overlooked, but which like their gigantic neighbors, are producing cutting-edge art of stunning and unexpected quality.

ArtAsiaPacific is authoritative, accurate, even-handed, exact and essential. Included in each issue is an up-to-date directory of the major galleries, not-for-profit organizations and museums with a focus on contemporary art from our geographical footprint. ArtAsiaPacific offers thoughtful reportage, analysis, comment and criticism to its readers made up of collectors, gallerists, curators, artists and those who want and who need to know the latest developments in the fastest-growing and most astonishing region of the contemporary art world.

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