In the late ’90s, I started my music industry journey as a promoter and publicist in London. But the real magic happened when I moved to the US in 2013, eager to soak up the American music scene. Before long, I was the go-to in-house music photographer for the Sunset Strip’s most iconic venues, including The Viper Room, the Roxy, Whisky a Go Go and Sunset Marquis.
My work as a music photographer didn’t go unnoticed, and soon I found myself being invited to capture some of the most exciting artists and bands on stage and on tour. I had the pleasure of working with incredible musicians, and I’m proud to say that they appreciated not only the quality of my work but also my integrity and respect for their craft. I formed some lasting friendships and feel truly grateful for the opportunities that came my way.
この記事は N-Photo: the Nikon magazine の April 2023 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、8,500 以上の雑誌や新聞にアクセスしてください。
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この記事は N-Photo: the Nikon magazine の April 2023 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、8,500 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
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