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Daniela Forever: An Inventive Fable, Gripping True Story Unfolds in September 5

The Straits Times

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April 17, 2025

Blood, blues music and illegal booze come together in dazzling fashion in director Ryan Coogler's latest work, Sinners

- John Lui

Daniela Forever: An Inventive Fable, Gripping True Story Unfolds in September 5

SINNERS (M18) 137 minutes, opens on April 17 ★★★★

The story: After developing a fearsome reputation as gangsters in Chicago during the 1930s, twin brothers Smoke and Stack (both played by Michael B. Jordan) return to small-town Mississippi. They set about opening a juke joint, a dance hall with live music and liquor banned under Prohibition law. The siblings encounter their musician cousin Sammie (Miles Caton); Smoke's wife, the traditional healer Annie (Wunmi Mosaku); and the Chinese shopkeeper couple Grace and Bo Chow (Li Jun Li and Yao). Their activities attract the attention of angry white townsfolk, as well as supernatural forces more evil than racists.

American writer-director Ryan Coogler reunites with Jordan in Sinners, blending prime drama, horror and blues music in what is possibly the most ambitious, inventive and enjoyable big-budget movie of the season. The American actor gives a dazzling dual performance as Smoke and Stack, men who have come back to their home town to get rich and—even if they do not know it themselves—confront their demons.

Those demons are more than merely psychological—they are real, and they are horrific.

After finding commercial success with studio franchises—the boxing story Creed (2015) and two Marvel movies (Black Panther, 2018; Black Panther: Wakanda Forever, 2022)—Coogler returns to the racial polemics of his first feature, the biopic Fruitvale Station (2013), based on the true story of a black man up against police overreach.

In Sinners, Coogler's view of the black experience in the United States is channeled into an allegory about white vampires eager to drain black bodies of their vital energies.

In a way, it is a follow-up to American writer-director Jordan Peele's Get Out (2017), which dealt with old, white elites switching their decrepit husks for young, black bodies.

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