'There is no prejudice that you cannot overcome'

On the Natyashastra, her guru Rukmini Devi Arundale, and the inclusivity of the classical dance form

- Kunal Ray

Is the book written with the primary intention to educate or are you also trying to address how Bharata Natyam is perceived in the popular imagination, especially in the current times?

I neither wish to educate nor change existing points of view. "Live and let live" is my preferred philosophy. Some enjoy living in ignorance if it conforms to a larger, bullish point of view. It is a safe haven.

We often hear about the hegemonic presence of the Natyashastra in the performing arts. There are those who are critical of this position and some who embrace it openly. Where do you stand in this debate visa-vis its relevance for Bharata Natyam dancers?