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A murder franchise finds its Monsters- and they're us

Time

|

November 10, 2025

MIDWAY THROUGH MONSTER: THE ED GEIN STORY, the title character stares into the camera and warns: “You shouldn't be watching this.” He’s talking to two strangers who've interrupted him in the bloody aftermath of a murder. But the closeup makes it clear that Gein, played with eerie gentleness by Charlie Hunnam, is also addressing his audience of Netflix viewers. Then he revs his chainsaw and chases the men. Of course, we keep watching. In the next scene, Gein offers the spectacle of a dead, nude woman, strung up like a carcass in a slaughterhouse.

- BY JUDY BERMAN

A murder franchise finds its Monsters- and they're us

Ed Gein's (Hunnam) sometime girlfriend Adeline Watkins (Son) isn't so sweet

This sequence could easily get lost amid the parade of violence, gore, warped sexuality, and heavy-handed social commentary that makes up this and every season of Ryan Murphy and Ian Brennan's Monster anthology. Yet it encapsulates the creators’ attitude toward true-crime fans. Like the two previous installments, on Jeffrey Dahmer and the Menendez brothers, Ed Gein retells in lurid—and largely fantastical—detail the legend of a notorious killer, explaining what our obsession with and inevitable misunderstanding of each case says about society. In taking on Gein, America’s ur—serial killer and the inspiration for many disturbing works of art and crime, Monster indicts the audience that made it one of TV’s most popular shows.

Its first two seasons open with multiple episodes reenacting the crimes with self-aware salaciousness. Then there’s a turn, when the human impact of the case comes to the fore, challenging our ostensibly uncritical fascination with murder schlock. Dahmer shifts focus to the queer men and people of color whose oppression enabled Jeff (Evan Peters) to prey on them. Menendez is practically American Psycho for three episodes; preppies Lyle (Nicholas Alexander Chavez) and Erik (Cooper Koch) go on a shopping spree after executing their parents (Javier Bardem and Chloë Sevigny). Then come the boys’ harrowing accounts of sexual abuse at home.

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HOW TO STEAL A NUCLEAR POWER PLANT AND GET AWAY WITH IT

VLADIMIR PUTIN HAD DONE HIS HOMEWORK.

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16 mins

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FAMILY MATTERS

A crop of fall movies search proverbial—and literal— attics to explore what makes a family unit tick

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6 mins

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Padma Lakshmi The culinary television star on centering immigrant stories, taking inspiration from activism, and writing her latest cookbook

You often speak about food through the lens of family. Why is that important to you?

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3 mins

November 10, 2025

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A New Wave origin story, and an act of love

SOME DAYS IT SEEMS WE LIVE IN A HORRID WORLD where most humans couldn’t give a fig about art. How many people in that world are going to care about a 65-year-old black-and-white movie—one that, for anyone who doesn’t speak French, requires the reading of subtitles?

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2 mins

November 10, 2025

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In the Loop

IN OCTOBER, HEART-WRENCHING photos of a 12-year-old girl driving her sick puppy to the vet went viral on social media. But upon closer examination, users noticed strange details: her steering wheel was on the right side of the car, which also lacked a dashboard.

time to read

2 mins

November 10, 2025

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A murder franchise finds its Monsters- and they're us

MIDWAY THROUGH MONSTER: THE ED GEIN STORY, the title character stares into the camera and warns: “You shouldn't be watching this.” He’s talking to two strangers who've interrupted him in the bloody aftermath of a murder. But the closeup makes it clear that Gein, played with eerie gentleness by Charlie Hunnam, is also addressing his audience of Netflix viewers. Then he revs his chainsaw and chases the men. Of course, we keep watching. In the next scene, Gein offers the spectacle of a dead, nude woman, strung up like a carcass in a slaughterhouse.

time to read

3 mins

November 10, 2025

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HOW THE DEAL GOT DONE

Inside Trump's unconventional Middle East diplomacy

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15 mins

November 10, 2025

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Slow Horses gets an explosive sister show

In the premiere of Down Cemetery Road, a desperate woman walks into a private investigator's office. “Let me guess,” says the detective, Zoë Boehm (Emma Thompson). “You've got a husband. He's got a secretary. Am I warm?” She is not. Neither a film-noir femme fatale nor a jealous housewife, Sarah Trafford (Ruth Wilson) has come for help in solving a mystery that has little to do with her own life. Her initially inexplicable obsession sets the tone for Apple's unusually humane conspiracy thriller.

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1 mins

November 10, 2025

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EDGE OF INVASION

Taiwan prepares as shadows of war creep closer to its shores

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15 mins

November 10, 2025

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The Risk Report

WHEN FORMER PRIME MINISTER, champion of multiparty democracy, and longtime opposition leader Raila Odinga died on Oct. 15, Kenya lost the country's most consequential figure of the past generation.

time to read

3 mins

November 10, 2025

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