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Against Our Own Best Souls'

Reason magazine

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February 2025

SISTER HELEN PREJEAN ON HERLIFE ASA WITNESS ON DEATH ROW

- BILLY BINION

Against Our Own Best Souls'

SISTER HELEN PREJEAN is probably not the archetype that comes to mind when you think of a nun, yet she is probably the country’s bestknown living Catholic layperson, famous for her anti–death penalty activism.

In the early 1980s, Prejean met a prisoner on death row— Elmo Patrick Sonnier—after an activist asked her to write him a letter. It was a life-altering experience. She served as Sonnier’s spiritual adviser and accompanied him to his death, which inspired her work against capital punishment. This story was immortalized in her 1993 book, Dead Man Walking, which in turn inspired a movie starring Sean Penn and Susan Sarandon, who won an Academy Award for her portrayal of Prejean. Jake Heggie and Terrence McNally’s opera of the same name premiered in 2000 and opened the New York City Metropolitan Opera’s 2023 season for its first performance there. Prejean, who is now 85, is also the author of The Death of Innocents: An Eyewitness Account of Wrongful Executions (2004) and River of Fire: My Spiritual Journey (2019).

In October, Prejean spoke with Reason’s Billy Binion about her opposition to the death penalty, how she connects with crime victims, her response to Christians who believe the death penalty is just, and her attempts to reach across the political aisle.

Reason: In 1984, you were in the Louisiana death house waiting to witness your first execution. A guard asked, “What’s a nun doing in a place like this?” Forty years later, how would you answer that question?

Prejean: There was the theory of what the death penalty is supposed to be. And then I watch this human being I had known for two and a half years, strapped into a wooden oak chair and electrocuted to death, and it was called justice. And it seared my soul. Then I began to learn about how it works. What are we doing here? Is this accomplishing what they say we’re supposed to be doing?

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IF YOU WERE looking for a human avatar of America's unipolar moment, you couldn't do better than Michael McFaul. Picture a youthful, energetic McFaul with a newly minted Ph.D. bounding into the suddenly post-Soviet space of the early 1990s, full of bright ideas about democracy and faith in the end of history. As McFaul himself puts it, 1991 \"was a glorious moment to be a democratic, liberal, capitalist, multilateralist, and American....I was treated like a rockstar.\"

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TRUMP IS DEPORTING ENTREPRENEURS

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The First Information Revolution

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What Would Bill Buckley Do?

THE NATIONAL REVIEW FOUNDER'S FLEXIBLE APPROACH TO POLITICS DEFINED CONSERVATISM AS WE KNOW IT.

time to read

7 mins

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MAHA Mandates Food Labels

BURDENSOME FOOD LABELING mandates were once the province of Democrats, who pushed for calorie count requirements on restaurant menus and insisted packaged food must feature warnings about genet- ically modified ingredients and trans fats. Now it's Republicans leading the charge- with equally foolish results.

time to read

2 mins

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IS JAKE TAPPER DOOMED?

THE CNN ANCHOR ON THE WAR ON TERROR, THREATS TO FREE SPEECH, AND THE FUTURE OF MEDIA

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time to read

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A Taste of Capitalism in Warsaw

WARSAW, POLAND, IS a living museum of economic systems. It's a city where concrete reliefs of stoic factory workers decorate a building that now houses a Kentucky Fried Chicken, where a Soviet-era apartment block stands beside a glass tower filled with coworking spaces.

time to read

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Robert Crumb's Roving Art and Life

IN THE SPRING of 1962, an 18-year-old Robert Crumb was beaned in the forehead by a solid glass ashtray. His mother, Bea, had hurled it at his father, Chuck, who ducked. Robert was bloodied and dazed, once again a silent and enraged witness to his family's chaos.”

time to read

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THE HOWARD ROARK OF COMICS

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time to read

12 mins

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