試す 金 - 無料
The Way Home
Outlook
|July 21, 2025
For India-born Danish conductor Maria Badstue, music is the one space where she truly belongs
INDIA-born Danish conductor Maria Badstue sits on a chair, her bushy brows hovering over 'the duck tales of Danish descent' she recites to her daughter. She touches her nose often; and fall silent, slightly discomfited, whenever the conversation drifts towards the orphanage she was adopted from.
“What would a five-month-old know?” she asks. Her daughter—Nordic, Scandinavian—and she herself of Indian descent, both anchored to the brown skin she wears.
Badstue was in Mumbai for the sixth time to conduct the Symphony Orchestra of India (SOI) at the NCPA. The SOI Chamber Orchestra collaborated with musicians from The Royal Academy of Music and The Royal Danish Academy of Music under Badstue's baton. The programme featured Carl Nielsen's radiant Helios Overture, followed by one of Rachmaninoff’s most beloved works, performed by celebrated Danish concert pianist, Søren Rastogi.
“I wish I had come earlier,” says Badstue. She visited India for the first time in 2017. She had lived in Thisted, Denmark, for all the years before that. Badstue was only five months old when a Danish couple adopted her from an orphanage in Pandharpur, a pilgrimage town along the Chandrabhaga River in Maharashtra. The thought of meeting her birth parents had never occurred to her. The mirage of that hope never shimmered before her. In fact, it wasn’t until 2017 that she opened the briefcase that held the documents of her adoption.
“I was already home. I couldn’t be running behind a colour,” she says. “I was this person with brown skin in a class of whites, but I never felt I didn’t belong because everyone was welcoming. But...”
When she landed in India for the first time, she recalls, “I saw people like me. Is there a word I can pen down to describe how I felt?” For years, the only glimpse she had of India was in the mirror—her own face, her eyes.
このストーリーは、Outlook の July 21, 2025 版からのものです。
Magzter GOLD を購読すると、厳選された何千ものプレミアム記事や、10,000 以上の雑誌や新聞にアクセスできます。
すでに購読者ですか? サインイン
Outlook からのその他のストーリー
Outlook
'Why GDP Growth Doesn't Always Translate Into Votes'
The recent election results have once again shown that economic growth alone does not guarantee electoral victory.
3 mins
June 06, 2026
Outlook
Lights, Camera, Othering
The establishment of Israel has been accompanied by a national cinema devoted to negating and erasing the Palestinian Other
5 mins
June 06, 2026
Outlook
Goodbye to All That
Booker-winning British author Julian Barnes' Departure(s) is a unique hybrid work: playful, philosophical, whimsical
4 mins
June 06, 2026
Outlook
Collapse of Trust
As the NEET-UG 2026 paper leak forced the cancellation of India’s biggest medical entrance exam, more than 22 lakh aspirants find themselves trapped in uncertainty
11 mins
June 06, 2026
Outlook
NO LONGER A TWELFTH MAN
Bihar cricket, which has languished in the shadows for long, is all set to improve its strike rate, thanks to Vaibhav Sooryavanshi, the new Bihari kid on the block
5 mins
June 06, 2026
Outlook
BLAZE OF GLORY
The challenges of being a celebrity cricketer at a young age can be tough to handle
5 mins
June 06, 2026
Outlook
THE SWASHBUCKLERS
A new generation of fearless stars is emerging and finding its feet at the very top of an extremely competitive cricketing environment
5 mins
June 06, 2026
Outlook
THE TEEN TORNAD
At the age of 15, Vaibhav Sooryavanshi is already a cricketing legend
10 mins
June 06, 2026
Outlook
A Journey to Remember
The prerecorded message crackled over the din in the compartment: ‘Welcome to the Shatabdi Express.
4 mins
June 06, 2026
Outlook
Crossing Borders
Ruth Martin is the translator of German-Iranian author Shida Bazyar’s novel The Nights are Quiet in Tehran (originally written in German), which has been shortlisted for the 2026 International Booker Prize.
4 mins
June 06, 2026
Listen
Translate
Change font size

