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Known and Unknown

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January 21, 2026

IN an era where the gaze upon landscape has commodified into picture postcards with pristine beauty—rolling hills, serene rivers, untouched forests—the true essence of the earth demands a radical shift.

Known and Unknown

Landscape is no longer merely a concept of aesthetic pleasure, a passive backdrop for contemplation or leisure. Instead, it requires an inner vision, a penetrating gaze that unearths the complex layers of stories buried beneath its surface. These are narratives of trauma, resistance, memory and survival, etched into the soil by centuries of human and ecological strife. I am not a mere observer but a cultivator of archives—re-animating and re-cultivating them repeatedly to forge new historiographies that challenge dominant erasures and reclaim subaltern truths.

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Media narratives—especially when women are involved—can end up amplifying suspicion and weaponising gender

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The Stink of Epstein

Why are the rich and powerful of the world scared of what lies buried in the Jeffrey Epstein files?

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Passing the Watermelon

Narendra Modi's presence in Israel is being read not just as a bilateral engagement, but as an endorsement of Israeli action in Gaza and the West Bank

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For Phoolan, Who Wasn't a Devi

“Whether or not it is the Truth is no longer relevant. The point is that it will, (if it hasn’t already) - become the Truth. Phoolan Devi, the woman has ceased to be important. (Yes of course she exists. She has eyes, ears, limbs, hair etc. Even an address now) But she is suffering from a case of Legenditis. She’s only a version of herself. There are other versions of her that are jostling for attention. Particularly Shekhar Kapur’s “Truthful” one, which we are currently being bludgeoned into believing.”–Arundhati Roy in ‘The Great Indian Rape-Trick I’, on the film Bandit Queen by Shekhar Kapur based on Phoolan, whom he never met because he didn’t think he needed to meet her. The film was based on journalist Mala Sen’s book India’s Bandit Queen: The True Story of Phoolan Devi.

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The Chic Cartel

Women are not just victims or side characters in recent crime-and-power OTT dramas. They are complex forces-capable of empathy, strategy and ruthlessness-whose narratives demand both recognition and reckoning

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5 mins

March 11, 2026

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The Hierarchy of Sympathy

In crimes against women, justice is shaped not only in courtrooms but in newsrooms where narrative determines whose suffering becomes national conscience and whose fades into procedural silence

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5 mins

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Dasyu Sundari

Media accounts simultaneously cast her as victim and avenger, until a life shaped by caste violence and gendered oppression was repackaged into a consumable myth of dishonour and revenge

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8 mins

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Prince Pervert

Are rumours of the death of the rule of law vastly exaggerated?

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4 mins

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Together, Apart

Poonam Saxena's translations of Mannu Bhandari and Rajendra Yadav's memoirs present a portrait of the trailblazing Hindi writer-couple's marriage and of newly independent India

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3 mins

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The Great Indian Rape Trick'

The trope of transforming sexual violence against women into a springboard for rage that can only be channelled through counter-violence has long served as a popular framework in cinema, both globally and in India

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6 mins

March 11, 2026

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