試す 金 - 無料
"Dancers are at Constant Risk of Being Arrested"
Outlook
|January 11, 2024
A 22-year-old Dabke dancer, who wishes to remain unnamed, says Palestinian artists are trying to send out a strong message to the world, that is silently watching the Gaza genocide
IT was a few weeks after October 7. It was a cold afternoon and the sun was dull when my friends were dragged into a dark room, never to be seen again. They were perhaps shot dead.
They were passing through one of the hundreds of checkpoints built around Bethlehem where the Israeli Army can do anything to you depending on their mood. The hostilities have intensified after October 7. We cannot sleep. As Palestinians, we are afraid that what is happening in Gaza can happen to us any day, any moment.
I am a refugee. My grandparents were from Deir Rafat village, which was occupied by Israeli forces in 1948. Since moving to Bethlehem, for us, life has not improved much. All Palestinians live in a state of fear and anxiety as our entire existence has been a struggle—whether as kids, teenagers, and adults.
このストーリーは、Outlook の January 11, 2024 版からのものです。
Magzter GOLD を購読すると、厳選された何千ものプレミアム記事や、10,000 以上の雑誌や新聞にアクセスできます。
すでに購読者ですか? サインイン
Outlook からのその他のストーリー
Outlook
The Spectacle of the Woman Accused
Media narratives—especially when women are involved—can end up amplifying suspicion and weaponising gender
7 mins
March 11, 2026
Outlook
The Stink of Epstein
Why are the rich and powerful of the world scared of what lies buried in the Jeffrey Epstein files?
6 mins
March 11, 2026
Outlook
Passing the Watermelon
Narendra Modi's presence in Israel is being read not just as a bilateral engagement, but as an endorsement of Israeli action in Gaza and the West Bank
5 mins
March 11, 2026
Outlook
For Phoolan, Who Wasn't a Devi
“Whether or not it is the Truth is no longer relevant. The point is that it will, (if it hasn’t already) - become the Truth. Phoolan Devi, the woman has ceased to be important. (Yes of course she exists. She has eyes, ears, limbs, hair etc. Even an address now) But she is suffering from a case of Legenditis. She’s only a version of herself. There are other versions of her that are jostling for attention. Particularly Shekhar Kapur’s “Truthful” one, which we are currently being bludgeoned into believing.”–Arundhati Roy in ‘The Great Indian Rape-Trick I’, on the film Bandit Queen by Shekhar Kapur based on Phoolan, whom he never met because he didn’t think he needed to meet her. The film was based on journalist Mala Sen’s book India’s Bandit Queen: The True Story of Phoolan Devi.
5 mins
March 11, 2026
Outlook
The Chic Cartel
Women are not just victims or side characters in recent crime-and-power OTT dramas. They are complex forces-capable of empathy, strategy and ruthlessness-whose narratives demand both recognition and reckoning
5 mins
March 11, 2026
Outlook
The Hierarchy of Sympathy
In crimes against women, justice is shaped not only in courtrooms but in newsrooms where narrative determines whose suffering becomes national conscience and whose fades into procedural silence
5 mins
March 11, 2026
Outlook
Dasyu Sundari
Media accounts simultaneously cast her as victim and avenger, until a life shaped by caste violence and gendered oppression was repackaged into a consumable myth of dishonour and revenge
8 mins
March 11, 2026
Outlook
Prince Pervert
Are rumours of the death of the rule of law vastly exaggerated?
4 mins
March 11, 2026
Outlook
Together, Apart
Poonam Saxena's translations of Mannu Bhandari and Rajendra Yadav's memoirs present a portrait of the trailblazing Hindi writer-couple's marriage and of newly independent India
3 mins
March 11, 2026
Outlook
The Great Indian Rape Trick'
The trope of transforming sexual violence against women into a springboard for rage that can only be channelled through counter-violence has long served as a popular framework in cinema, both globally and in India
6 mins
March 11, 2026
Translate
Change font size
