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HIGH PLAINS DRIFTER

Record Collector

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July 2025

Slim Whitman's peak success - when he set a UK chart record that stood for 36 years - came just before the 50s rock'n'roll explosion, which may be why this American country star isn't as acclaimed as he might be. Jack Watkins yodels his praises...

- Jack Watkins

HIGH PLAINS DRIFTER

In the analogue era of the UK singles chart, a song enjoying an unusually long stay at No 1 invariably drew press speculation as to whether it could beat Slim Whitman's record-breaking 11 weeks on top with Rose Marie from July to October 1955. When Bryan Adams surpassed it with (Everything I Do) I Do It For You in 1991, he asked Whitman to fly over from the States and duet with him at his Wembley show. Whitman duly obliged but joked that “it jarred my insides out”.

To most of the Wembley audience, he'd have been a hazy figure from the dim and distant past. But even in his pomp, he eluded facile categorisation. When Whitman did two weeks at the London Palladium in 1956, the programme billed him as “America’s Famous Western Singing Star.” His two biggest British hits (Rose Marie was quickly followed by Indian Love Call) were westernised reworkings of songs from a 1920s Rudolf Friml operetta, Rose Marie, with weeping steel guitars. He opened the show with his rapid yodelling spectacular, I’m Casting My Lasso Towards The Sky. He'd tuck into a romantic ballad but wasn’t a tuxedoed smoothie. He had a three-octave voice but was no Johnnie Ray-style belter. Handsome and moustachioed, with his rhinestone-encrusted suits and shirts, black and white wing-tip shoes and ebony, jewel-studded guitar, he cut a striking figure.

A shy man with a nervous stutter since childhood, as his 1956 tour wound round Britain, a Glasgow critic noted, “He stumbles around the stage looking like a lost Gary Cooper.” The jazz writers who dominated the British music press of the day and hated rock and skiffle also sneered at Whitman. James Asman in Record Mirror, puzzled by the public’s infatuation with Lonnie Donegan, bracketed him with “third-rate pseudo-hillbilly singer” Whitman.

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Since the late 70s, Gavin Friday has trod a singular path, whether as part of influential post-punks The Virgin Prunes, soundtracking Hollywood blockbusters.

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THE ENGINE ROOM

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ORIGINAL SOUNDTRACKERS

In 1975, 10cc and Queen reigned supreme with I'm Not In Love and that also happened to be the Christmas No 1. But how did both Bohemian Rhapsody. The former was the chart-topping sound of the game-changing singles happen that year, and which, wonders Paul summer and a production landmark, the latter a multi-part song-suite McNulty, remains the most revolutionary example of 70s songcraft?

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'WE'D JUST WALLOW IN HOW FUCKING BRILLIANT WE WERE'

Graham Gouldman on I'm Not In Love, The Original Soundtrack and 10cc's next-level pop.

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Warren Kurtz began collecting records in the 60s and has written about music since the 70s.

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Heaven From Hell

An exhilarating masterpiece wrung from a period of turmoil and unease, all done up for its 50th birthday.

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33½ minutes with...Brinsley Schwarz

It's 60 years since Brinsley Schwarz made his recording bow, a handful of singles with the semi-psychedelic pop band Kippington Lodge, but he became a more visible presence later in the decade when he lent his name to the pub rock figureheads who also included Nick Lowe in their number.

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TEEN SPIRIT

Of all the first-wave punk bands, Eater were arguably the truest to form.

time to read

9 mins

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