![CORY WONG](https://cdn.magzter.com/1387350304/1695126570/articles/qJ5EUqaNi1695194254704/CORY-WONG.jpg)
GT: What is it about guitar instrumentals that appeals to you?
CW: I like the idea of music that can be a soundtrack to a moment or an image. The guitar is such a versatile instrument. The range of clean tones to dirty tones, dry or effected, rhythmic and staccato vs melodic and legato. I like to find guitar instrumentals that really utilise things that are very specific to the guitar, but it doesn’t feel so much like a technique. It’s art created through the instrument, rather than a technique attempting to make art.
GT: What can an instrumental provide the listener that a vocal song can't?
CW: Instrumental music allows the listener to create their own story or imagery while they’re listening. The story can even change depending on the day or mood. Vocal songs need to very clearly tell you the message or story; but instrumental songs can be more of a soundtrack to your day. That being said, it doesn’t mean that it’s ‘background music’; it can be the opposite. An instrumental can be the thing that guides you to a new place.
GT: Any tendencies you embrace or avoid?
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DOUBLE-STOPS
Playing two notes together is a useful addition to any guitaristâs arsenal. Simon Barnard shows how this can be used in a variety of styles.
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BOB DYLAN
This month Stuart Ryan shows how the fleet fingerpicking acoustic style of the protest song legend enriched song accompanient forever.
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BRIAN SETZER
For this issue Andy G Jones is looking to unravel the style of rockabillyâs most ardent torchbearer, the stupendous Stray Cat himself.
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ALLAN HOLDSWORTH
Experiencing Metal Fatigue? Sinking in quick Sand? Then join Charlie Griffiths as he unlocks the secrets of the master of Wardenclyffe Tower.
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RADIQHEAD
Martin Cooper checks out the sound of an era-defining band from Oxford, and guitarists Thom Yorke, Jonny Greenwood, and Ed OâBrien.
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MUDDY WATERS
The father of Chicago blues is in the spotlight this month. Join David Gerrish as he examines the man who electrified and defined the genre.
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JOSÃ FERRER El Amable (Andante Sostenuto)
This month Declan Zapala explores a hidden gem from 19th-century Spain's heritage of composer-educators of the classical guitar, whose influence is still felt today.
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THE CROSSROADS Eric Johnson
This month John Wheatcroft looks at the iconic guitarist from Texas, atrue crossroadsâ artist with a 4 phenomenal command of touch, tone and technique.
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ULF WAKENIUS Seven Jazz Licks
John Wheatcroft brings you an exclusive lesson from the Swedish ex-Oscar Peterson virtuoso, showcasing his phenomenal technique and incredible jazz lines.
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Country-Blues-Rock!
This month Andy Saphir shows how mixing Major and Minor Pentatonic scales, adding extra notes and country guitar articulations, can build you a whole new lickbag.