IN 2003, JOE Bonamassa was nowhere. The 26-year-old guitarist had enjoyed a fast start to his career. Hailed as a prodigy, he was mentored by the likes of Danny Gatton and had toured with B.B. King. Before he reached 18, he was part of a group called Bloodline that featured the sons of Miles Davis, Robby Krieger, and Berry Oakley. Everybody said “Smokin’ Joe” Bonamassa was going places.
By the mid-’90s, Bloodline was over and Bonamassa went solo. But after two critically hailed albums — 2000’s A New Day Yesterday and 2002’s So, It’s Like That — failed to click with record buyers, the guitarist took a grim assessment of where things stood. “Things were bad,” he says. “I was dropped by one label, and another label I signed to went out of business. My booking agent dropped me. I really didn’t know what to do.”
He did the only thing he could. With a gift of free studio time (thanks to Bobby Nathan at New York’s Unique Recording), and his last $10,000, Bonamassa recorded covers of blues tunes by Elmore James, Buddy Guy, Freddie King, B.B. King, and others, along with a few choice originals. “It was basically a live gig. We didn’t have to rehearse anything,” he says. “The weird thing was, it was the first time I was honest with myself. Instead of trying to be something I wasn’t and trying to do songs that would get on the radio, I said, ‘This is the music I love. I’m going to do what I really want.’”
この記事は Guitar Player の January 2024 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、8,500 以上の雑誌や新聞にアクセスしてください。
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この記事は Guitar Player の January 2024 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、8,500 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
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