THE WHOLE NINE YARDS of Wi Ha-joon’s acting aside, for me, what he did in Midnight (2021) is conspicuous. I despised him as much as I was awed by his unnervingly malicious Do-shik—a deranged serial killer. The raved psychological thriller film is a fatal hide-and-seek between him and a deaf Kyeong-mi (Jin Ki-joo) after she sees him stabbing a woman, becoming his next quarry. Wi carved a real creep out of Do-shik, eliciting the ultimate embodiment of fear lurking in the shadows. And while Korean content is already well-versed in portraying such characters and narratives, through casting Wi as Do-shik, the industry secured another savvy performer whose hegemony shows on screen, perhaps more as “the bad guy.”
この記事は RollingStone India の October 2023 版に掲載されています。
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この記事は RollingStone India の October 2023 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、8,500 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
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