“I am a big fan of Western political thrillers and have always felt that there weren’t any references for such a film in India. So it was a challenge in the first place. The only mantra I followed was to go with what my heart says, and don’t get into calculations,”
Aditya feels the original material and research already had inherent drama.
“I had to recognise and identify it and thereafter, cinematically present it. In this, every department deserves the credit. The treatment was the core for this film. If the treatment is interesting, the drama is bound to connect with the audience.”
“I would like to mention the editor of this film, Shiv Panicker, who deserves a great deal of credit. Not to forget the music by Shashwat Sachdev. The entire team believed in the drama, no one ever doubted it.”
Aditya is thrilled by the audiences’ response.
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'Women don't have to only sing and dance'
'When you are new, you don't know how the industry works.' 'But when you know where you are headed, the possibilities of being conned or facing unpleasant instances is reduced.
I haven't done homework for my films'
'In India, I'm able to work with the biggest stars on creating a scene, creating that emotion, without being too hung up on their persona.
'I learned about Bollywood by being a part of it'
'In India, I'm able to work with the biggest stars on creating a scene, creating that emotion, without being too hung up on their persona.
'MY FACE IS MY GREATEST USP'
'My tool is the way I look. This is the only thing that distinguishes me.' 'Most of us dress similarly. What sets you apart is your face. If you change that also, you're like anybody else.
'My Life Was In Danger'
\"I received many threatening calls and letters.' 'A fatwa was issued against me.'
'I AM BRAHMA, VISHNU, MAHESH!'
Tanishaa Mukerji started her acting career with a bang when she got to play a YRF heroine in her second film Neal 'n' Nikki (2005).
Everybody would say I should act like My Sister
âPadmini and are very different people.â Our acting styles are very different. She's from a different era.â
'Girls Are Becoming Suicide Bombers'
'When I am doing a film, that film is not propaganda for me. That's a true thing.
'Four women in their 60s followed me...'
'Don't object to change; understand why people like it.' 'Don't object to change; understand why people like it.'
'EVERYBODY REJECTED ME'
It is only fair that being around the industry has to rub off on its children.
