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THE SHUTDOWN ARTIST

The New Yorker

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October 27, 2025

Inside Russell Vought's dismantling of the federal government.

- BY ANDY KROLL

THE SHUTDOWN ARTIST

"He has centralized decision-making power to an extent that he is the Commander-in-Chief," a senior official said of Vought.

On the afternoon of February 12th, Russell Vought, the director of the White House Office of Management and Budget, summoned a small group of career staffers to the Eisenhower Executive Office Building for a meeting about foreign aid. A storm had dumped nearly six inches of snow on Washington, D.C. The rest of the federal government was running on a two-hour delay, but Vought had offered his team no such reprieve. As they filed into a second-floor conference room decorated with photos of past O.M.B. directors, Vought took his seat at the center of a worn wooden table and laid his briefing materials out before him.

Vought, a bookish technocrat with an encyclopedic knowledge of the inner workings of the U.S. government, cuts an unusual figure in Trump's inner circle of Fox News hosts and right-wing influencers. He speaks in a flat, nasally monotone and, with his tortoiseshell glasses, standard-issue blue suits, and corona of close-cropped hair, most resembles what he claims to despise: a federal bureaucrat. The Office of Management and Budget, like Vought himself, is little known outside the Beltway and poorly understood even among political insiders. What it lacks in cachet, however, it makes up for in the vast influence it wields across the government. Samuel Bagenstos, an O.M.B. general counsel during the Biden Administration, told me, “Every goddam thing in the executive branch goes through O.M.B.”

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