試す 金 - 無料
Waste Wizard
Issue 249 - March 2025
|Frieze
How a new kind of brick helped pave the way for sustainable architecture by Carson Chan
IN HIS OWN TELLING, American architect Michael Reynolds had the revelation in 1970 after watching Walter Cronkite on CBS Evening News. "They were talking about beer and soda cans being thrown all over the countryside,' he notes in Journey: Part One (2008). "They predicted a garbage problem in the future.
The same broadcast reported on the clearcutting of a forest in the Pacific Northwest for timber to meet housing demands. "What if we used what society discards, thought Reynolds, "to make the things we need?" American popular discourse in the United States had primed Reynolds for this breakthrough. News stories throughout the 1960s exposed the nuclear fallout in the American Midwest from weapons-testing, the rivers and lakes filling with industrial pollutants and the major cities blanketed in thick, noxious smog.
Concern for the environment crescendoed and, on the first Earth Day on 22 April 1970, 20 million people across the US attended rallies, teach-ins and marches.
Reynolds graduated from the University of Cincinnati in 1969, at the crests of the anti-war, civil-rights and environmental movements.
このストーリーは、Frieze の Issue 249 - March 2025 版からのものです。
Magzter GOLD を購読すると、厳選された何千ものプレミアム記事や、10,000 以上の雑誌や新聞にアクセスできます。
すでに購読者ですか? サインイン
Frieze からのその他のストーリー
Frieze
The Writing Fellow
Reflections on a journey through the galleries and behind the scenes at Madrid's Prado Museum
7 mins
Issue 255 - November/December 2025
Frieze
'To respect the material is to work in a state of consent, you have to be able to learn to communicate with it.'
Following the opening of her exhibition at the de Young in San Francisco, writer and sculptor Rose B. Simpson talks to Natalie Diaz about Indigenous education and collaborating with materials
8 mins
Issue 255 - November/December 2025
Frieze
Bring Down the House
What happens when unorthodox art forms enter traditional institutions?
3 mins
Issue 255 - November/December 2025
Frieze
ACROSS THE CAUSEWAY
Novelist Tash Aw reflects on the future of Singapore through the works of artists Heman Chong and Ming Wong
9 mins
Issue 255 - November/December 2025
Frieze
Warped Speed
The multidisciplinary practice of Ayoung Kim projects possible worlds and queers conceptions of time
5 mins
Issue 255 - November/December 2025
Frieze
THE 25 BEST WORKS OF THE 21ST CENTURY
This year, frieze asked 200 artists, curators, critics and museum directors to name the most outstanding works of art from the past quarter century. From their nominations, we compiled a list of 25 works that have shaped contemporary art since the year 2000
14 mins
Issue 255 - November/December 2025
Frieze
After Coco
A look at Sylvie Fleury's devotion to luxury ahead of her new commission for Performa and an exhibition at Sprüth Magers, New York
2 mins
Issue 255 - November/December 2025
Frieze
Dramatis Personae
Performance: Aria Dean on the challenges of crafting characters in her 2025 Performa commission
4 mins
Issue 255 - November/December 2025
Frieze
Consider the Algorithm
New York's newest performance space foregrounds togetherness
3 mins
Issue 255 - November/December 2025
Frieze
Imagining the Otherwise
Saidiya Hartman on the minor musics and diasporic traditions behind her latest 'performed discourse'
3 mins
Issue 255 - November/December 2025
Listen
Translate
Change font size
